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To more fully understand the condition of the Lakota in this time period,
I have created each piece in this exhibit under conditions as close to the authentic
as was possible. My husband and I dried, fleshed and scraped each hide I used for rawhide
pouches and containers. I used original style antler awls, forged nippers in place of
scissors, buffalo bone scraping and fleshing tools, and buffalo bones and sticks with
which to paint. I found earth pigments mined in the Badlands of South Dakota for my
colors.
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| I beaded with colors original to the time period and now
difficult to find, and made jewelry with antique trader beads. Instead of thread, I used
artificial sinew. Each stitch on the clothing I did by hand. Much research went into
authenticating the beading styles and colors as uniquely Lakota. In the process, I have learned many things, particularly
concerning the roles and conditions of Lakota women. Women of the tribe spent their days
assuring that their familys and friends personal possessions and homes were
decorated in a way they could be proud of. This secured for the women their own place of
honor and respect within the tribe. I dedicate this exhibit to these women of the past,
who toiled relentlessly on tasks they performed out of love, without the knowledge that
150 years later people in our society would still be admiring their work and attempting,
as I have done, to create something from a time that we can never fully understand.
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