University of North Carolina at Asheville
D.H. Ramsey Library
Special Collections/University Archives

Film Register
for

Conquest of Canaan
(1921)

AV2003.1.1 


"Filming the Conquest of Canaan in Asheville, 1921" E.M. Ball Collection (ballP1733), D.H. Ramsey Library Special Collections, UNC Asheville

Title Conquest of Canaan
Creator Paramount Studios
Alt. Creator Booth Tarkington
Subject - Keyword Asheville, N.C. ; Booth Tarkington ; film ; movies ; lawyers ; Pack Square, Asheville, NC ; Thomas Meighan ; Doris Kenyon ; Cyril Ring ; Diana Allen ; Roy William Neill ; Bible ; Mrs. Jeter Pritchard ; Mrs. Fitzhugh Teague ; Paramount Studios Jack Scott ; Imperial Theater ; Frank Tuttle ;  Arthur Cousins ;  Tom White ; Bob Bunn ; Harry Perry ; Adolph Zukor ; 
Subject - 
LCSH
Feature films
Historical drama, American History
Appalachian Region, Western North Carolina
Appalachian Region in motion pictures
Appalachian region -- Drama
Asheville, N.C. -- Film
Appalachians (People) in motion pictures. 
Appalachians (People) -- Social life and customs. 

Neill, Roy William, 1887-1946
Ring, Cyril
Meighan, Thomas, 1879-1936
Kenyon, Doris, 1897-1979
Allen, Diana
Tarkington, Booth, 1741-1820
Tuttle, Frank
Cousins, Arthur
White, Tom
Bunn, Robert
Adolph Zukor, 1873-1976
Harry Perry
Description Released by Paramount Pictures in August of 1921, this 35 mm black and white silent film is based on the Booth Tarkington (1869-1946) novel The Conquest of Canaan, written in 1905. The story follows the life of a small-town lawyer, Joe Louden, who endures alcholism and social exclusion, and public ridicule, only to prevail after he earns a law degree, inherits a fortune, and takes on corrupt city officials.  [Also based loosely on the John Martin moral treatise, The Conquest of Canaan, (1811), which explores the natural and moral state of individuals in a small town who are both conquerors and conquered in a series of letters from a father to his son.] 

The story was filmed in downtown Asheville, N.C., in and around Pack Square, the old Courthouse facing College Street and near the First Baptist Church at the corner of Spruce and College Streets. The old Swannanoa-Berkeley Hotel, later the Earle Hotel, was used as a backdrop and renamed the "Canaan City Hotel" for the film. Streetcars, signs, and other landmarks were re-named for the film and hundreds of extras were hired for the large scenes, particularly the mob-scene on Pack Square. 

Directed by Roy William Neill, the film principals were Doris Kenyon as Ariel Taber and Thomas Meighan as Joe Louden. Both Kenyon and Meighan were often seen opposite such luminaries as Norma Talmadge , Gloria Swanson, Mary Pickford and Rudolph Valentino, respectively. Diana Allen, Ann Eggleston, Alice Fleming, Charles S. Abbe, Malcolm Bradley, Paul Everton, Macey Harlam, Louis Hendricks, Charles Hartley, Jed Prouty, Cyril Ring, John D. Walsh, Riley Hatch and others are found in the supporting cast. Frank Tuttle wrote the film adaptation of  the Tarkington novel and Adolph Zukor was the Producer. The director of photography was Harry Perry. The film was moderately successful in its day and played at the Asheville Imperial, the State, and the Princess theaters [Padgitt, 1950]. It is listed in the AFI Catalog of Silent Films.

It is believed that the Asheville Historical Resources Commission's copy stored at Ramsey Library is the only copy of the film. It was obviously re-copied onto CBEMA film stock at an unknown date. The AFI catalog notes that there were 7 reels in the original film. The reels at Ramsey Library number only 4. The film was discovered in Russia in the 1980's by William P. Banner who produced a special WLOS television program about the film and used a section of the retrieved film. The Russians reportedly used the film with Russian sub-titles to demonstrate cultural aspects of the United States to their people. The English sub-titles of the silent film were replaced by Russian sub-titles at an unknown time between 1921 and the early 1960's. A video copy of the film has been mastered for preservation purposes and CD copies have been reproduced from the video, resulting in considerable loss of quality. The original CBEMA general purpose film has been refrigerated in the D. H. Ramsey Library Special Collections. Access to the original film is restricted, however the copies of the film may be viewed on request in Special Collections.

Any published use of the film requires permission of the Asheville Historic Resources Commission . 

Publisher Paramount Pictures
Contributor William P. Banner, formerly with WLOS television researched and located the film in the USSR. The film was later removed to the Historical Resources Commission, in Asheville, NC and presently is housed at UNC Asheville, Special Collections.
Date 2004-06-06
Type CBEMA (SVEMA) motion picture film manufactured in Ukraine; 
Format Four reels of 35 mm black and white film; silent ; Russian sub-titles.
Identifier coc2003.1
Source F2003.1.1 (Refrigerator) ; Copies in AV2003.01.01
Language ru=Russian
Relation Is derived from: Tarkington, Booth. The Conquest of Canaan ; illustrations by Lucius W. Hitchcock. New York : A. L. Burt, 1905 ;
Is referenced by Padgett, Bright, "'Conquest of Canaan,' Filmed Here [Asheville] in 1921, Starred Thomas Meighan," Asheville Citizen-Times, Asheville, N.C. Sunday, March 26, 1950, Sect. 7, p.3. ;  White, John. "Myth and Movie Making: Karl Brown and the making of Stark Love.,"Film History, Vol. 19, Issue 1, p.49-57, 2007. Brown explores the myths and the history of this early film that used a local cast and characterized the people of the region in a provocative manner.

Is referenced by E.M. Ball Photographic Collection, UNCA:
Filming [Conquest of Canaan] movie, at Pack Square. (N1059)
Filming [ Conquest of Canaan] movie, at Pack Square. (N1053)
Filming [ Conquest of Canaan] movie, at Pack Square. (N1054)
Filming [ Conquest of Canaan] movie, at Pack Square. (N1055)
Filming [ Conquest of Canaan] movie, at Pack Square. (N1056)
Filming [ Conquest of Canaan] movie, at Pack Square, crowd, 1921. (N1733)
Filming [ Conquest of Canaan] movie, at Pack Square, crowd, 1921. (N1737)
 

  New York Times, "The Screen," July 11, 1921, 9:3. Review of the film.
  Variety, July 15, 1921. Review.
  Copyright license with synopsis of plot provided by Famous Players-Lasky Corporation, August 22, 1921.
Coverage 1921 ; Asheville, N.C. 
Rights Asheville Historic Resources Commission  or contact Stacy Merten, HRC Director 259-5836.
Direct access to the film is restricted. VHS copy is available for viewing. Copyright Famous Players-Lasky Corporation August 22, 1921, copyright license #16883C.
Donor Asheville Historic Resources Commission
Acquisition  2003-11-01
Citation Conquest of Canaan, D.H. Ramsey Library and the Asheville Historic Resources Commission .
Processed by Special Collections staff, June 2004 ; June 2005 ;
Context:
 Asheville and Western North Carolina have an unusual relationship with film. It is reported that Thomas Edison filmed shorts here as early as 1912 and that other film makers were in residence near Lake Lure and Bat Cave. The early Raoul Walsh film "The Serpent" was filmed in 1916 at Chimney Rock and another silent film, "Stark Love" filmed in Graham County in 1927, suggests that the western region held great appeal to film makers. "Stark Love," also a Paramount Pictures film, was directed by Karl Brown. It is reported that Brown had the assistance of Horace Kephart, the well-known author of Our Southern Highlanders and that, like Conquest of Canaan's director, Roy William Neill, Brown sought to give authenticity to his film-making by shooting on location and using local extras.

An earlier version of the Booth Tarkington story was filmed by Frohman Amusement Corporation in 1916. It was directed by  George Irving and starred Edith Taliaferro and Jack Sherrill. The Paramount Studios version was released on August 6, 1921. The director, Roy William Neill (born Roland William Neill de Gostrie),1887-1946, was a rising young director who was born in Ireland, worked as a correspondent in the Chinese Civil War in 1911. He was reportedly apprenticed to the director Thomas H. Ince. In 1921, in addition to the Conquest of Canaan, Neill directed  Something Different, The Idol of the North, and The Iron Trail. His last film was in 1946, just shortly before he died of an aneurysm in Paris. He is most famous for his series of Sherlock Holmes films.

For a full text of the Booth Tarkington novel,  The Conquest of Canaan,  see:

http://etext.lib.virginia.edu/toc/modeng/public/TarCana.html

See the following for related material as cited on the Web site "Silent Era" [ http://www.silentera.com/ ] as follows:

The Serpent
(1916) American
B&W : [?] Five or Six? reels
Directed by Raoul A. Walsh (Raoul Walsh)

Cast: Theda Bara [Vania Lazar], Lillian Hathaway [Martza Lazar], James Marcus [Ivan Lazar], Charles Craig [Grand Duke Valanoff], Carl Harbaugh [Leo Valanoff], George Walsh [Andrey Sobi], Nan Carter [Erna Lachno], Marcel Morhange

Fox Film Corporation production; distributed by Fox Film Corporation. / Scenario by Raoul A. Walsh (Raoul Walsh), from the story “The Wolf’s Claw” by Philip Bartholomae. Cinematography by Georges Benoit. Presented by William Fox. / © January 23, 1916 by William Fox [LP7479] (at six reels). Released January 23, 1916. / Standard 35mm spherical 1.37:1 format. / The film may have been edited to five reels before release. The film was re-released on January 5, 1919, by Fox Film Corporation. Carter’s film debut. / The film is presumed lost.

Synopsis: Synopsis available in AFI-F1 n. F1.3934. Listing updated: 9/18/02.

References: AFI-F1 n. F1.3934; Cooper