| Description |
The Wayne Martin, Master Woodcarver Collection is composed of
approximately 93 individual pieces. They include assorted representations of
rural Appalachian activities and include approximately 21 figure groups with
multiple items and 7 single figures not identified as associated with any group.
Wood figurines are carved primarily by Wayne
Martin and
secondarily by his older brother, Wade Martin. Of the approximately 93 individual pieces in the collection;
only a few are signed by Wade Martin. The remaining pieces are unsigned. The
titles of the individual pieces are assigned by the cataloger. The
carvings, made over a 30 year period, are varying in height, with the tallest
figurine measuring 5 inches high. The carvings depict daily life in rural
Appalachia, particularly Western North Carolina and the Swannanoa Valley. Both
Wayne Martin and Wade Martin's
carvings are well-known nationally, and for years were sold in the Appalachian
Craft Shop on Wall Street in Asheville, North Carolina [now closed]. Wade
Martin's sculptures were also depicted in Life
magazine. The carvings have been described as "a mountain man's piece of
imaginative, unaffected folk art." (Maggie Lauterer, Introduction to Wade
Martin's Swannanoans).
The sculptures includes documentation, Swannanoan’s
Woodcarving Mountaineer Style,(1986)
by Wade Hampton Martin,
that describes the family and the lives of both
Wayne and Wade Martin.
Information provided by the donor Miss Annette Ogden Duchein,
indicates the carvings are by Wade and Wayne Martin. She also notes that only a
few carvings are signed by Wade Martin and that the remaining carvings are
unsigned. Tentative appraisal indicates the value may be reduced by the lack of
signature. Local appraiser, Robert Brunk suggests the majority of the work
probably represents the work of Wayne Martin. A visit to UNCA by Wayne Martin
confirmed this attribution. However, a few of the pieces remain uncertain in
their attribution.
Information available concerning the artist
is found in the accompanying documentation, and in the Asheville Citizen
, Nov. 6, 1977, p. 19-C. The Asheville Citizen article indicates the
donation of Miss Duchein included “42 sets of wood carvings, the whole titled
‘Mountain People,’ which were done over a 30-year period by Wayne and Wade
Martin of Black Mountain.”
The donor, Miss Annette Ogden Duchein is the
retired vice president and director of industrial relations for Spartan Mills
and Southern Powell Corp. of Spartanburg, S. C. and the John P. King
Manufacturing Co. of Augusta , Ga.. She was the first woman vice president of
the American Society for Personnel Administration.
|
| Biography |
Wayne Martin came from a family of
woodcarvers. He was born to Marcus Lafayette Martin and Callie Holloway
Martin in the mid-twentieth century. His older brother, Wade Hampton Martin,
the source of his inspiration, was born in 1920 and it is Wade's work
which has often been celebrated. Wayne, however, demonstrates who
has and two older brothers, Fred and Quentin, also carved. A sister, Zenobia, and
a younger
brother, Edsel, could also shave wood into shapes that are both craft and
whimsy. Marcus Martin, his father, was an accomplished fiddler and a North Carolina champion of "Old Timey" fiddling. Callie Martin was a
good "5 string banjo picker," and the boys were all interested in music
and carving. In addition to carving figurines, they carved and played
dulcimers and other insturments. They were also athletic; Quentin played professional baseball,
and Wade played on several All-Star teams.
As a child, Wade, the older brother played around with creating figures out of branch clay, but it never amounted to much. When he was
in the army and stationed in Luzon, in the Philippines during World War II,
he served as a certified parachutist. He was honorably discharged in 1946.
While in the army another soldier got him interested in carving and it was
this interest that he brought back from the war and passed on to his
siblings.
On May 3, 1942, Wade Martin married Frances Katherine Stuart Martin.
They had two children, Nancy Jo and Bruce Van.
After the war, Wade earned his living with his carving. He sold
figurines to the Appalachian Craft Shop on Wall Street in Asheville, and
they became very popular, selling out shortly after they arrived. His
carvings were featured in Life magazine, as well, and are found in
collections nationwide.
Like his brother Wade, Wayne Martin worked at Beacon Blanket
Manufacturing Company in Swannanoa. In 1954, Wade Martin started work at Beacon
where his father worked, and his younger brother also worked there at
different periods in their lives. Wade Martin retired from Beacon in 1983 as an
offset printer. Nicknamed "Gob" by co-workers, he also served as Beacon's
Athletic and Recreation Director for seventeen years.
It is through the collected stories, scrapbooks, and the published work
of Wade Martin, that the story of the Martin family of carvers is
told. And, it is here that the essence of Wayne Martin and his sources of
inspiration may be found.
Wade Martin received his high school equivalency certificate in
1973, and in 1974, he became a deputy sheriff. After this appointment, he
commented that he was probably the "only dulcimer playing deputy sheriff
on earth!" He had a sense of humor, and one of his many "Happiness is"
sayings was "Happiness is: Saving money buying quality Laura Lynn foods
and drinks at Ingle's Supermarkets."
In 1986, he finished compiling a handwritten family scrapbook,
including pictures, documents, and stories important to the family.
Woodcarving, of course, has a prominent role, and the book includes many
sketches of carvings Wade and his brothers made over the years. Wade
Martin titled the book, Swannanoans: Wood Carving Mountaineer Style
and had 1000 copies of the book printed. He sold them for $4 each in
Swannanoa businesses.
In addition to being an expert wood carver, Wade Martin was a
storyteller. In his scrapbook, he tells a story about how he became such a
good carver. Wade grew up with stories of pixies, elves, trolls, "some
good, some bad" but had always thought them fairy tales. But in while he
was hunting for carving wood in the woods one day just before Christmas,
he met "a little old bearded mountaineer man that was about the size of a
large ear of corn" holding a fiddle and bow and looking remarkably like
his father, Marcus. The man told him, "First let me say you already have
God given talents and are gifted. You also have a loyalty and faithfulness
to kin folks, friends, and neighbors, and a kindness to nature's
creatures, so this gift of a magical Barlowe knife I'm about to give to
you is well deserved." Then the magical Barlowe knife and Martin's regular
Barlowe blended together into one knife. The little man then started
playing "Amazing Grace" on his fiddle and more little people -all
miniatures of mountaineers -appeared and started to sing this, the Martin
family's favorite hymn. After the hymn, the first man said, "Gather about
the woodcarver in family groups and individually, with your hoes, buckets,
hammers, Bibles, and so on, and let the impressions the woodcarver has of
you be so clear upon his heart and mind that he may use them as models for
his future woodcarvings." The little man also gave Martin several
commandments: "You will never carve these you have seen here in the
likeness of judges, federal or whatever for judges have religeously [sic]
persecuted little school children, forbidding them free access their God
and Father, and have given aide and comfort to those who wilfully [sic]demean
and pervert others, and forced bussed hundreds of little children to their
deaths or injury. You shall not carve, because their is not any of this
kind among us, murderers, athiests [sic], arsonists, unnaturals,
soothsayers, tax assesors [sic], or anything that depicts vulgardiness,
and there are not any nude among us, you must not carve any nude
figurines, or craven images, nor idols. Also, your religeous [sic] faith
will be in the wooden figurines you carve, and so cannot be otherwise,
regardless of the religeous [sic] faith of those who acquire your
carvings. This cannot be construed to be disrespectful of, or critical of
that persons relegious [sic] faith, and his right to spiritual freedom,
for you must never condone relegious [sic] persecution! You must not carve
lawyers or scoundrels for obvious reasons, there are not any of them among
us, 'tho some lawyers try their best to be honorable in their profession."
The little people disappeared, and Martin was left standing in the woods
alone. He gathered up the carving wood he had, and returned home. He began
carving and, to his astonishment, was able to carve quickly a perfect
likeness of the little people he had seen. He carved five mountain men
playing a fiddle, five-string banjo, flat top guitar, bass fiddle, and
dulcimer. When he put all five pieces together, they cam alive and began
to play "the good old mountain music." He sold the pieces at the
Appalachian Craft Studies store in Asheville in order to get money for
Christmas. Before he left, he looked at the fiddler once more, who "seemed
to smile as if to say, 'You've done well, Gob!' Again I was surprised, he
had spoken my nickname!" The Martin family had a happy Christmas
that year.
In a footnote to the story, Wade Martin writes, "Even though the story
is a dream, I did not carve the kind of figurines that the wee old
mountaineer fiddler in the story told me not to carve...and religeous
[sic] faith can not be in wooden figurines." Elsewhere, he said, "I never
learned to carve, God gifted me."
Both Wayne and Wade Martin were fiercely proud of their heritage and family. The
Martins had their own family hymn, called the "Battle Hymn of the Martins"
and sung to the tune of the "Battle Hymn of the Republic." Wade Martin
resented outside interference with the mountains and wrote, "if people are
happy and contented as they are, those health, welfare and education
federal people busy bodies should leave them alone so they can keep on
being happy and free." He also composed a poem, "Ode to the Blue Ridge
Mountaineer," in which he laments the loss of the mountaineer's pride in
his heritage:
"Ode to the Blue Ridge Mountaineer"
Oh! Mountaineer, you prideful, fiercely independent
Blue Ridge son!
Where are you now, in progresses' way?
Where is your hand hewed cabin, hung on a mountain side?
Where are your hound dawg, corn cob pipe and guns?
Where is your backbone and pride?
Are they all gone'd and died?
Are you wiped away by them bulldozer plows?
You know you were in the way of
Them federal road building sons!
Where is your fiddle and bow,
Your dulcimer and old banjo?
Where are these things you made
With your own bare hands?
Why ain't you singing them old
Ballads no more?
Are you all gone, same as the
Indians went?
Where is your backbone and pride?
Are they all gone'd and died?
In keeping with their musical background and talents, the Martin family
had their own family hymn, called the "Battle Hymn of the Martins," sung
to the tune of the "Battle Hymn of the Republic." Part of the song
follows:
Chorus:
Glory to the name of Martin!
Glory to the name of Martin,
Glory, "Sic itur ad astra!"
The clan goes marching on!
Verse 1:
The Martin clan is mighty -over half a million strong;
In Seventy-Six two thousand kinsmen fought to right a wrong.
Forty towns bear Martin names. Sure, let us sing that song --
The clan goes marching on!
Verse 2:
The House of Martin cherishes traditions of the past,
With the world's great movements they have all their fortunes cast;
And when they pledge their honor they are loyal to the last.
The clan goes marching on!
Verse 4:
John Martin sailed around the world with bold Sir Francis Drake,
Joshua the Governor served for the people's sake.
The Martins do their duty when their honor is at stake.
The clan goes marching on!
Verse 6:
The Martin sons have courage any enemy to face;
The Martin girls are lovely with their beauty, charm, and grace;
The Marin leaven is a blessing to the human race.
The Clan goes marching on!
Verse 7:
We must prove worthy of our place on Martin Family Tree,
Let Martin standards with the highest in the world agree.
We owe a duty to the generations yet to be.
The clan goes marching on!
Note: All quotations are taken from Wade Martin's booklet,
Swannanoans: Woodcarving Mountaineer Style, 1986. [Used with
permission] |