Ramsey
Library Special Collections
UNCA SENIOR PAPERSLITERATUREAll students in the Literature Department are required to write a senior paper or to produce a senior creative writing project. These are written on a variety of literature topics and fulfill the departmental requirement for graduation. Special Collections, Ramsey Library holds bound volumes of Literature senior papers from 1966 to the present. Students in the Literature Department who choose to take a Creative Writing major are required to involve themselves in a year-long, full-length Senior Creative Writing Project. Under the direction of a creative writing faculty member the student may choose to work in the area of fiction, poetry, or drama. The projects, called Senior Papers - Creative Writing, are collected by the department and housed in the Special Collections of Ramsey Library. Senior papers are also required for those students who choose to teach English. Students wishing to release their papers for
inter-library loan and/or for publication will need to sign and date a
RELEASE
AGREEMENT.
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Literature Senior Theses, by
year
1985
1986 1987
1988
1989
1990
1991
1992
1993
1994 1995
1996
1997
1998
1999
2000
2001
2002 |
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|
1966
|
PERMISSION INFORMATION photocopy / publish |
|
|
Corcoran, E. E., III |
Three Inhabitants of "The Waste Land" | no/no |
|
Dillingham, Nancy |
The Symbolic Significance of The Great Gatsby | no/no |
| Rickman, Rosalind | Characterization Through Symbolism and Allegory of the Major Figures in The Scarlet Letter | no/no |
| Young, Phyllis A. | William Faulkner: The Conflict Between Nature and Society |
no/no |
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1967
|
PERMISSION INFORMATION photocopy / publish |
|
|
Carson, Carole Ann |
Russian Character-Types Portrayed in Dostevsky's Karamozov Family | no/no |
|
Ledbetter, Sandra L. |
An Examination of the Hemingway Code Hero | no/no |
|
Link, Ann S. |
The Problem of Fate in The Oresteia |
no/no |
|
Morgan, Charlene |
Willa Cather's Realism: An Analysis of Character in O Pioneers! |
no/no |
|
Pittman, Evelyn |
The Philosophy of Utilitarianism Expressed in Charles Dickens' Hard Times | no/no |
| Stanley, Helen S. | The Dramatic and Autobiographical Sources of Billy Budd |
no/no |
|
Stevenson, Nancy A. |
The Relationship of the Body and Soul in Certain of Donne's Poems and Prose Works | no/no |
1968
|
PERMISSION INFORMATION photocopy / publish |
|
|
Miller, Louis K. |
Hawthorne and the Evil Nature of Man | no/no |
| Williams, Elizabeth Lynch | Asheville and Tom Wolfe: A Study in Chancing Attitudes | no/no |
1969
|
PERMISSION INFORMATION photocopy / publish |
|
| Clevinger, Mary B. | Fitzgerald's Theory of Wealth as Expressed in The Great
Gatsby |
no/no |
| Hooker, Carolyn Ball | F. Scott and Zelda Fitzgerald: An examination of
antagonism in Tender is the Night and Save Me The Waltz |
no/no |
| Sluder, Sandra Lynne | The Effect of Women in the Life of Joe Christmas |
no/no |
|
1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984
1985
1986
1987
1988
1989
1990 1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002 |
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1970
|
PERMISSION INFORMATION photocopy / publish |
|
|
Apostolopoulos, Eula V. |
Mark Twain's Attack on Fundamentalism in Adventures of
Huckleberry Finn and Letters from the Earth |
no/no |
| Baumann, Hurley | The Influence of the Philosophy of Henri Bergson of the
Writings of Nikas Kazantzakis as Revealed in Zorba the Greek |
no/no |
| Bell, Robert W. | The Brand Name Society: Ferlinghetti's A Coney Island
of the Mind |
no/no |
| Jones, Mary Lou | Structural and Transformational Grammars in North Carolina
Public Schools |
no/no |
| Mitchell, Martin | Robert Lowell's Quarrel with History |
no/no |
| Muse, Wilma Littlechild | The Clergyman and Jane Austen |
no/no |
| Richards, Laurel Kent | The Use of the International Experience in James' Concept of the Expanding Consciousness | no/no |
1971
|
PERMISSION INFORMATION photocopy / publish |
|
| Braly, Rosamond L. | A Comparative Analysis of the Revised and the Original
Versions of Bread and Wine |
no/no |
| Comfort, Bill | Dostoevsky's Dualism: A study in three characters |
no/no |
| Diamond, Jill A. | A Study of the Moral Theme in Henry Fielding's The
History of Tom Jones, A Foundling |
no/no |
| Eskridge, Margaret | Jane Austen's View of a World of Order |
no/no |
| Hogsed, Linda | The Lack of Spiritual Communication in The Heart is a
Lonely Hunter |
no/no |
| James, D.R. | "The Fur Coat" and Other Stories |
no/no |
| Shipman, Carol Lynn | Henrik Ibsen: A tragic view based in the concept of
self-actualization |
no/no |
| Smith, Freida Boone | Changes and Growth in Hemingway's Hero from A Farewell
to Arms to |
no/no |
| Starnes, Jane Keenan | Love and Friendship in The Merchant of Venice | no/no |
1972
|
PERMISSION INFORMATION photocopy / publish |
|
| Clarke, Patsy M. | Romanticism and Realism in Acting Style as Exemplified by
Charlotte Cushman |
no/no |
| Dillingham, Sandra | Lear's Self-Discovery |
no/no |
| Durham, Susan H. | Poetry - Thesis |
no/no |
| Gordon, Emily | The Concept of Freedom in the Novels of John Fowles |
no/no |
| Hardin, Patricia | The Concept of Nature and Religion Found in Pope's "An
Essay on Man" and Wordsworth's "The Prelude" |
no/no |
| Rice, Linda Gail | The Character of Lady Macbeth |
no/no |
|
Roberts, Glenda Leatherwood |
An Examination of Religion in Huckleberry Finn | no/no |
| Rutledge, Mrs. Diane C. | A Study in Opposites: The Women in Henrik Ibsen's Plays |
no/no |
1973
|
PERMISSION INFORMATION photocopy / publish |
|
| Adams, James I. | The Question of Anti-Semitism in The Merchant of Venice |
no/no |
| Ayers, Barbara | The "Loom of Time" |
no/no |
| Brown, Carole | The Changing Beliefs and Attitudes of Jack Kerouac |
no/no |
|
Cromwell, David Carroll |
Richard III as a Machiavellian Villain | no/no |
|
Gaffney, R. L. |
Motive and Moral in Huckleberry Finn: A Thesis | no/no |
| Grier, Deborah | The History of the Lafayette Theatre 1912-1929 |
no/no |
| Horecany, Joseph | A Search for Values: Jack Kerouac's On the Road and
The Dharma Bums |
no/no |
| Kale, Rita | Social and Moral Conflict in Three of Falkner's Characters |
no/no |
|
Kaltreider, Sallie Middleton |
"The Magic Goat" and Other Stories | no/no |
| Kiser, Margaret D. | Meyerhold: Russia's Theatre Revolutionary |
no/no |
| Page, Brenda | Magic in the Renaissance |
no/no |
| Passmore, Barbara | Theory and Practice in Four Novels of Alain Robbe-Gillet |
no/no |
| Penland, Shirley | Naturalism in Thomas Hardy's The Return of the Native |
no/no |
1974
|
PERMISSION INFORMATION photocopy / publish |
|
| Cocke, Mary Lou | Author: Flannery O'Connor |
no/no |
| Crawford, Sherron | Albert Camus: A Passion for Life |
no/no |
| Crenshaw, Kristina Snelling | Contraction and Expansion: The Theme of Retreat in the
Poetry of Robert Frost |
no/no |
| Gainey, Pat | Conflicting Attitudes: The Effect of Materialism on the
Works of F.Scott Fitzgerald |
no/no |
| Gilreath, Claudette | The Theology of the Life Force in John Steinbeck's To A
God Unknown |
no/no |
| Graham, Sylvia | From Technique to Theme in Wilbur D. Steele's "How
Beautiful with Shoes" |
no/no |
| Hillebrand, Ellen | Twain and Faulkner: Innocence and Initiation |
no/no |
| Kruszewski, Mary G. | Slawomir Mrozek: Poland's Playwright of the Absurd |
no/no |
| Lampley, Mary Ann | Thunderland Revisited |
no/no |
| Lewis, Judy S. | Men and Masters |
no/no |
| McDaniel, Anthony | An Analysis of Mark Twain's Success Handling Negro
Characters |
no/no |
| McLean, Mary | Nathanael West: A Forerunner of the Black Humor Tradition |
no/no |
| Miller, Elena Diane | Shakespeare's Use of the Supernatural as a Dramatic
Technique in Macbeth and The Tempest |
no/no |
| Outlaw, Mary C. | Rebellion and Art in Search of Revelation: A Study of
Henry Miller |
no/no |
| Parker, Elizabeth | Dylan Thomas and the Archetype of the Quest |
no/no |
| Roper, Vicky | Fitzgerald's Heroines: Versions of Zelda |
no/no |
| Stout, Harriet Rodes | Gerard Manley Hopkins: The Sensuous Priest |
no/no |
| Thornburg, Jill | The Use of the Gothic in the Short Stories of Edgar Allan
Poe |
no/no |
1975
|
PERMISSION INFORMATION photocopy / publish |
|
| Glick, Donna Jean | Isadora Duncan: The Quest for Freedom |
no/no |
1976
|
PERMISSION INFORMATION photocopy / publish |
|
| Barbour, George F. | Sivvy and "Daddy" |
no/no |
| Belmore, Mildred Vance | Elizabeth Bennett and the Unifying Force in Pride and Prejudice | no/no |
| Blake, Christopher Michael | Artistic Inspiration in Les Fleurs Du Mal | no/no |
| Bradley, Frank | Low Comic Characters and Subplots in A Midsummer
Night's Dream and The Tempest |
no/no |
| Buckner, Sue Ann | Isabella's Problems of Manners and Morals in Shakespeare's
Measure For Measure |
no/no |
| Daniel, Eleanor Page | Unconventional Techniques in "The Coal Shoveller" |
no/no |
| Engle, Jeannette | What You See is What You See |
no/no |
| Erwin, Charlotte Egerton | A Character Study of Medea |
no/no |
| Fletcher, Victoria Parker | Euripides' Views of Women and Justice in Medea | no/no |
| Gardner, Nancy Rachel | The Thematic Unity of J. D. Salinger's Nine Stories |
no/no |
| Lamb, Janet P. | The Meaning of the Catharsis-Clause in Aristotle's
Poetics: Three Views |
no/no |
| Radford, Eleanor R. | Huck Finn Grows Up: or does he? |
no/no |
| no/no | ||
1977
|
PERMISSION INFORMATION photocopy / publish |
|
|
Connor, Charlotte |
A Voice to Heed: A Study of the Functions of the Chorus in Agamemnon | no/no |
| Dixon, Lisa Ellen | D. H. Lawrence's View of Life in the Growth of Paul Morel |
no/no |
| Fisher, Anthony Lee | Henry Miller as "Cosmological Writer" |
no/no |
| Fudge, Robert Bailie | The Genesis of Remembrance Rock |
no/no |
| Gleaton, Madge Slade | Shakespeare's Use of Order in The Tempest |
no/no |
| Harrington, Dolores Anita | Elements of Hans Christian Andersen's "The Snow Queen" as
Represented in Truman Capote's Other Voices, Other Rooms |
no/no |
| McLain, Marilyn E. | The Blackening of the Character of Richard III |
no/no |
| Newman, Barbara Jo | Exploring the Character of Hamlet |
no/no |
| Roberts. Terry Lee | The Echoing Sphere: E. M. Forester's A Passage to India |
no/no |
| Singleton, Carol J. | The Vonnegut Religious Experience as seen in Cat's
Cradle, The Sirens of Titan and Slaughterhouse Five |
no/no |
| Young, Jane L. | Freaks in Other Voices, Other Rooms |
no/no |
1978
|
PERMISSION INFORMATION photocopy / publish |
|
| Adams, Anslem Snow | The Psychological Love of Paul Morel |
no/no |
| Furek, John L. | Richard II and the Second Fall of Man |
no/no |
| Jones, Joan W. | Reflective Surfaces in Truman Capote's Other Voices,
Other Rooms |
no/no |
| Monroe, Susan | An Interpretation of Chaucer's Use of Gentilesse in the Marriage Group and in Troilus and Criseyde | no/no |
| Sagar, Mary B. | David the Shepherd-King as a Tragic Hero |
no/no |
| Shields, Boyd | The Ancient Poetess |
no/no |
| Voyles, David | Understanding "The Fall of the House of Usher" |
no/no |
1979
|
PERMISSION INFORMATION photocopy / publish |
|
| Belt, Stephanie | Theme and Technique in "A Poetics for Bullies" |
no/no |
| Jackson, Rebecca J. | Death of a Salesman: An American Tragedy |
no/no |
| Leatherwood, Kristi L. | Reverence for Life in To Stay Alive |
no/no |
| Moore, Crawford Durham | Norris's McTeague as a Specimen of Pessimistic Naturalism | no/no |
|
1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002 |
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1980
|
PERMISSION INFORMATION photocopy / publish |
|
| Baber, Lynne | Sister Irene and Laura: Prisoners of fear |
no/no |
| Eichelberger, Priscilla D. | The Defects of Reason: An examination of Flannery
O'Connor's "A Temple of the Holy Ghost" |
no/no |
| Gilbert, Matt | A Discussion of Plot, Character and Meaning in Hermann
Hesse's Siddhartha |
no/no |
| Hillyer, Patty | Meaning Through Hope and Time |
no/no |
| Kierce, Anne | Huckleberry Finn: The Instinctive Taoist |
no/no |
| McClendon, Lowery | Nietzche's Dionysianism in the Poetry of Hart Crane |
no/no |
| Morro, Dierdre | On Marianne Morre's Marriage |
no/no |
| Ratcliffe, June M. | Hard Times and the Industrial Revolution |
no/no |
| Satterwhite, Robert B. | The New Technology of Newspapers |
no/no |
| Stewart, M. Valerie | Alienation in Waiting for Godot |
no/no |
| Venrick, Reed | Gloucester as Foil in King Lear |
no/no |
| West, Mark | Thomas Pynchon's Gravity's Rainbow: A proverb for the
paranoid |
no/no |
| Woodie, Sabrina A. | The Importance of Pearl in Hawthorne's Psychology of Head,
Heart, and Will |
no/no |
1981
|
PERMISSION INFORMATION photocopy / publish |
|
| Beck, Robert M. | Hermann Hesse: Synthesis and Satisfaction in the Artist |
no/no |
| Brock, Jennifer | Edmund and the Nature of Evil in Shakespeare's King
Lear |
no/no |
| Burnette, Jane | The Reality of Reason and Truth in Jane Austen's Emma and
Sense and Sensibility |
no/no |
| Lawson, Margaret | The Fall of a King |
no/no |
| Moore, Mona | The Divinity of Kings |
no/no |
| Parker, Scott | The Reasons for the Needs of Government Intervention in
Broadcasting and the Development of the Federal Communications
Commission |
no/no |
| Stevens, Jack | The Pornography Battle |
no/no |
1982
|
PERMISSION INFORMATION photocopy / publish |
|
| Booker, Suzanne | Theories of Kingship Affecting Shakespeare's Portrayal of
Henry IV and Richard III |
no/no |
| Brown, Annette | Pip's Changing Sense of Place |
no/no |
| Buckner, Linda | Charles Dickens as an Educational Reformer |
|
| Cantrell, Charles G. | New Journalism - Is It a Working Journalism |
no/no |
| Cole, Roy | Huck Finn's Futile Attempt to Escape Civilization |
no/no |
| Crain, Kathy | Existentialism in Franz Kapka's The Trial |
no/no |
| Deaton, Marianne | The Free Press/Fair Trial Controversy |
no/no |
| Grant, Sharon M. | A Man Apart |
no/no |
| Groce, Sheri | A Man of all Temperance: The Duke's Role in Measure for
Measure |
no/no |
| Rackley, Brenda | Shakespeare's Use of the Pool in his Dramaturgy |
no/no |
| Reid, Deborah | The Print Media: How it is Protected and Restrained |
no/no |
| Teszler, Vicky | The Re-Instatement of Morality in The Tempest |
no/no |
| Vines, Terri | Justice in Antigone |
no/no |
| Wilson, Sandra | The Ideal Ruler |
no/no |
| Wyatt, Tammy Jarvis | Julia Wolfe: In Flesh and in Print |
no/no |
1983
|
PERMISSION INFORMATION photocopy / publish |
|
| Belden, Wendy | Moliere's Comic Alter Egos |
no/no |
| Buckner, Tonya | The New Tower: Black Dialect in the Classroom |
no/no |
| Chiappetta, Graydon | World View in the Literature of Paramahansa Yogananda |
no/no |
| Frederick, Madelaine | The Miracle of Truth |
no/no |
| Gilman, Joyce | Jane Austen's Workout Books: The Metamorphoses of Jane
Austen's Heroines |
no/no |
| Hillyer, Lynn Buchanan | The Nature of Faulknerian Time in The Sound & the Fury |
no/no |
| Quigley, John J. | Money, Religion, and Isolation in Daniel Defoe's
Robinson Crusoe and A Journal of the Plague Year |
no/no |
| Reevie, Robin | The Later Works of James Thurber |
no/no |
| Scotchie, Joe | Thomas Wolfe's Critique of Business and Success in You
Can't Go Home Again |
no/no |
| Seymour, Donna | Dreams, Drunkenness and Death in Eugene O'Neill's The
Iceman Cometh |
no/no |
| Wright, Deborah | Coming of Age: Two Adolescent Novels |
no/no |
| no/no | ||
1984
|
PERMISSION INFORMATION photocopy / publish |
|
| Burnett, Mary Allison | The Trouble with Bartleby |
no/no |
| Howard, Kari | D.H. Lawrence and the Modern World |
no/no |
| Jenkins, Lynn | A Woman's Role in Pride and Prejudice |
no/no |
| Leon, John Ford | The Riddle of Hamlet's Sanity |
no/no |
| Jones, David | A Little Breakfast |
no/no |
| Ross, Ann | The Call to Heroism |
no/no |
| Skoland, Deborah | The Flaw in Society in Henrik Ibsen's Plays |
no/no |
| Stark, Bill | Charlton Heston Speaks to Hattie Maynor |
no/no |
| Teresi, Nancy | On the Delicate Edge of Dream |
no/no |
1985
|
PERMISSION INFORMATION photocopy / publish |
|
| Ammons, Jennifer A. | Antigone: A Timeless Heroine |
no/no |
| Erwin, Ellen | Thomas Mann and the German Question: Doctor Faustus |
no/no |
| Franks, S. Bruce | The Prometheus Myth in Aeschylus and Shelley |
no/no |
| Hall, William Keith | Soft Geology |
no/no |
| Hamilton, Heather | A Collection of Short Stories |
no/no |
| Hardee, Ray | H.L. Mencken: Humor in his Writing |
no/no |
| Harklerode, Katrinia | A Death of One's Own |
no/no |
| Harlow, Barbara | The World of Paerie in Isak Dinesen;s Short Stories |
no/no |
| Heffner, Loula | Homosexuality in Literature |
no/no |
| Lankford, Dawn C. | Misfortunes that Followed |
no/no |
| Levin, David | White Elephants |
no/no |
| Rickman, Tawana | Isak Dinesen and the Power of the Female |
no/no |
| Saracco, Holly | Christopher Marlowe's Doctor Faustus as a Christian
Tragedy |
no/no |
| Thompson, Tracy | The Hills Beyond: Fact of Fiction? |
no/no |
1986
|
PERMISSION INFORMATION photocopy / publish |
|
| Coutlakis, John | Conrad and Coppola in Heart of Darkness |
no/no |
| Gallagher, DeAnn | Discovering the Boundaries of Narrative |
no/no |
| Jackson, Tammy | Women in Irish Literature |
no/no |
| Peacock, Wayne | The Question of Time in Contemporary Latin American
Literature |
no/no |
| Ray, Mary Lynne | Symbolic Geography of Paradise Lost |
no/no |
| Ray, Pamela | Female Bildung |
no/no |
| Wynhoff, Marty | Myself, Outside: Charlotte Bronte as Victorian Feminist |
no/no |
1987
|
PERMISSION INFORMATION photocopy / publish |
|
| Dedmondt, Wadonna | The Adventures of Huckleberry Finn: A Revelation of
Mark Twain's Stance on Racism and Nineteenth Century American Social
Values |
no/no |
| Grunwell, JoAnne | Gradation of the Victorian Womanly Ideal: Dickens' Angels
and Fallen Women |
no/no |
| Knupp, Beverly | Faullkner, the "Negro" and Honesty |
no/no |
| Lawing, Susan | Idiolects in Great Expectations: Charles Dickens'
Art of Communication |
no/no |
| Lynch, Sue | Anti-Semitism in the Prioress's Tale |
no/no |
| Randall, Sharon | An Attempt to Recapture the Past |
no/no |
| Tyrer, Jill | Equus: The Creation of a God |
no/no |
| Vergot, Michael | Recurrent Language in The Canterbury Tales |
no/no |
| Wike, Dana | From Troilus and Criseyde to Troilus and
Cressida: Chaucer's Influence on Shakespeare |
no/no |
| Williams, Thurman | Butler, Darwin and Evolutionary Theory: New Criticism of
an Old Controversy |
no/no |
| Woodhull, Christopher | E. M. Forster's Struggle for Domestic Truth |
no/no |
| Woro, Eric | Tragic Irony in Samson Agonistes |
no/no |
1988
|
PERMISSION INFORMATION photocopy / publish |
|
| Bean, Jennifer | Late Medieval Satiric, Chivalric Romances |
no/no |
| Brezillac, Sheri | Showing the Dog the Stick |
no/no |
| Browning, Jennifer Lynn | The Three Worlds of Franz Kafka: Prague, Judaism and the
Family |
no/no |
| Erben, Joan | Albert Camus: A Romantic at Heart |
no/no |
| Jacobson, Karla Kristen | Aristotle in the Twentieth Century |
no/no |
| O'Bryan, Heather W. | Eugene O'Neill: From Playwright of General Experience to
Playwright of Autobiography |
no/no |
| Russell, Lorena | Feminist Revisions of Joyce's Molly Bloom |
no/no |
| Sands, E. Michele | Characters in the Academic Novels of Kingsley Amis, Howard
Jacobson and David Lodge |
no/no |
| Valentine, Linda | A New Portrait of Eve | no/no |
1989
|
PERMISSION INFORMATION photocopy / publish |
|
| Chastain, Bret | The Influence of Germanic Myths and Legends in Washington
Irving's The Legend of Sleepy Hollow -- Imitation or Direct Translation |
no/no |
| Dyson, Suzanne | Hemingway's Women: The Hidden Strengths |
no/no |
| Fullam, David | Chaucer's Troilus: Delite with Subtyl Art |
no/no |
| Matthew-Wood, Dora | Carson McCullers: Regionalist or Writer? |
no/no |
| Mulkin, Angela | Two and Two Makes Five: Dostoevsky's Existential Man |
no/no |
|
1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002 |
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1990
|
PERMISSION INFORMATION photocopy / publish |
|
| Edwards, Arlene | The Twentieth-Century Dystopian Novel: Why Now? |
no/no |
| Emerick, Jeanette | The Failure of Evolutionary Meliorism in Tess of the
D'Urbervilles |
no/no |
| Quinlan, Joseph R. | Edgar Pangborn: An Introduction to His Work |
no/no |
|
Williamson, Barbara Lea |
The Necessity of Change | no/no |
| Zachs, Michelle | With Tempered Pen: Christine De Pizan's Introduction of
the Female Perspective in the Medieval Literary Tradition |
no/no |
1991
|
PERMISSION INFORMATION photocopy / publish |
|
| Creasman, Rhonda | Spencer's Faerie Queeene and the 'Cult of
Elizabeth' |
no/no |
| Hill, Mitzi | Father Figures in August Wilson's Work: Responsible but
Inadequate Images |
no/no |
| Lowder, Christy M. | Eudora Welty's Journeys Into Revelation |
no/no |
| Phaup, John J. | Boouderby and Denial in Charles Dickens' Hard Times |
no/no |
| Smith, John Howard | Tolstoy's Anna Karenina as an Answer to the Woman Question |
no/no |
| Turman, Andrew | Unity of Themes 'In Early Years' |
no/no |
| Ward, Linda M. | Anna Tyler's Dysfunctional Families in If Morning Ever
Comes and Dinner at the Homesick Restaurant |
no/no |
1992
|
PERMISSION INFORMATION photocopy / publish |
|
| Bell, Lydia | Questioning Traditional Gender Roles: Jeannette Winterson
and Androgyny |
no/no |
| Bock, Melody | Black Women's Literature: Changing the Traditional View,
Mildred Taylor and Toni Morrison |
no/no |
| Cooper, Emily | Dickinson and Rich: A Search for a Female Literary
Heritage |
no/no |
| Griffin, Greta | William Faulkner's Racial Issues and Gender Roles |
no/no |
| Griffin, Teresa | Realism in Twain's Writing |
no/no |
| Heffner, Jordan | Heroism's Loss of Center |
no/no |
| Hendricks, Amy | Wuthering Heights: The Feminist Struggle |
no/no |
| Latta, Philip A. | An Introduction to poet Kenneth White |
no/no |
|
McGalliard, Barbara Jollae |
Charles Dickens and the Orphan Child |
no/no |
1993
|
PERMISSION INFORMATION photocopy / publish |
|
| Allen, Michelle Leigh | Troy Goes Medieval: What Happens when Chaucer meets the
Trojans |
no/no |
| Anthony, Shannon E. | Magical Realism and Gabriel Garcia Marques's One Hundred
Years of Solitude |
no/no |
| Barber, Pam | What Makes a Regionalist Writer Transcend the Label: The
Cases of Wilma Dykeman and Eudora Welty |
no/no |
| Cando, Allison | Complex in Form, Simple in Appearance: Characteristics of
Ernest Hemingway's Writing Style |
no/no |
| Cantrell, Donna | Clyde Edgerton's Dynamic Southern Woman |
no/no |
| Edwards, Alessa | Morality Set Against the Mainstream: Wedekind's
Fruhlings Erwachen |
no/no |
| Paul, Larry R. | Dante, Bernard, and the Final Vision in The Divine
Comedy |
no/no |
| Shelton, Karen | Alice Walker's Women and the Development of Her Womanist
Philosophy |
no/no |
1994
|
PERMISSION INFORMATION photocopy / publish |
|
| Ackerman, Linda Susanne Wright | The Sense of Place in Southern Fiction as Exemplified in
Selected works of Anne Rivers Siddons, Lee Smith, and Marjorie Kinnan
Rawlings |
no/no |
| Allen, Sarah Addison | Alaine Robbe-Grillet and the New Novel |
no/no |
| Bland, Laura Gail | Criseyde's Actions for Self Preservation |
no/no |
| Brazelle, Leslie Gariann | Family History: Those Who Influenced Kate Chopin |
no/no |
|
Brewster, Nancy Pamela |
Not Blind to the Worth: The Influence of The Leaves of
Grass on Victorian British Authors |
no/no |
| Brittain, James Philip | The Wasteland in Our Time |
no/no |
| Fox, Michelle Leigh | Two Generations Revising the Southern Belle Sterotype:
Wilma Dykeman's The Tall Woman and Gail Godwin's The Odd Woman |
no/no |
| Godde, Keith L. | Representation of Gullah in Pat Conroy's The Water is
Wide |
no/no |
| Hollifield, Adrienne | Orality and Literacy Sing the Same Song |
no/no |
| Humphrys, Maureen | Are All the Stories True? |
no/no |
| Johnson, Mary Susan | Love, Death, and the Tragedy of Time |
no/no |
| Kessaris, Kimberly Lynn | Art for Life: E. M. Forster's Dialectic of Aesthetics |
no/no |
| Kirby, Shanon | Dracula and the High School Education |
no/no |
| Knowles, Adrienne | Poststructuralist Theory and the Metafiction of Italo
Calvino |
no/no |
| Lawson, Gary | Beowulf: As Christian First |
no/no |
| Ledford, Teresa Lynn | The Holy Grail: A Quest To Find Its Beginning |
no/no |
| McKee, Anne Elizabeth | Walt Whitman As America's Poet and His Influence on
William Carlos Williams and Carl Sandburg |
no/no |
| Merrill, R. Chad | Mark Twain's Use of Humor |
no/no |
|
Morse, Melinda Gay Weems |
The Transcendental Qualities fo Chopin That Make Her Distinctive | no/no |
| Peake, Stephen E. | Carver and Updike: Adultery as a Reflection of
Contemporary Life |
no/no |
| Phipps, Dana | Through the Eyes of a Child |
no/no |
| Pressley, Laurie Nan | The Interdependence of Treasure and Honor in Beowulf:
Why Beowulf Fights the Dragon |
no/no |
| Proffitt, Dawn Francis | An Appalachian Woman in The Winter People |
no/no |
| Shelton, Tonya | Emily Dickinson and Robert Frost: A Study of the Poetic
Theme of Death |
no/no |
| Suswal, Chris | The Knowledge of the Soul: Plato in James Joyce |
no/no |
| Walker, Amy Patricia | Exile: Edna O'Brien, Flann O'Brien and the Pervasive Theme
of Irish Twentieth Century Literature |
no/no |
| White, Kathy Brigham | The Atwood Protagonist: Breaking Chains of Biological
Bondage |
no/no |
| Yazan, Murat | Fuzuli: An Introduction |
yes/yes |
1995
|
PERMISSION INFORMATION photocopy / publish |
|
|
Allen, Dorothy Ann |
Feminist Messages in The Joys of Motherhood and The Handmaid's Tale |
no/no |
|
Bakkegard, Koren L. |
Influence, Imitation, and Originality: Finding the Boundaries of the Effects of Shakespeare's Sonnets on the Sonnets of John Keats |
no/no |
|
Blevins, Andrea |
Responsibility for the Fall: Adam Versus Eve |
no/no |
|
Bryan, Saskia Nora |
Existentialism and Absurdist Theatre: Connections and Interpretations |
no/no |
|
Bynum, Angela Genair |
Sermons as Literature: Civil Rights Sermons of Dr. Martin Luther King |
no/no |
|
Cloherty, Tyler Lynn |
Craving Alms of the Sun: Isolation of the Spirit in Wuthering Heights |
no/no |
|
Craddock, John |
Widsio and the Construction of Anglo-Saxon Narrative |
no/no |
| Evans, Rick | What Mask Do You Wear? | no/no |
| Forga, Donna | Suicide : Victimization or Liberation? | no/no |
| Jones, Jessica | Life in Literature: Mary Shelley's Frankenstein | no/no |
| Jordan, Jay | The Great Language Debate: French, English and Indigenous Tongues in Post- Colonial African Literature | no/no |
| Keller, Seth | Self-Portraiture With a Twist Within Tolstoy's Anna Karenina | no/no |
| King, Melissa E. | Feminist Messages in The Joys of Motherhood and The Handmaid's Tale | no/no |
| Laurie, Julie | Postmodernism: The Problem of Definition | no/no |
| Nolte, Theresa M. | Sula: A Lesson in Women's Friendship | no/no |
| Sconyers, AllyeB Grace | Religious Vision and the Poetry of Dylan Thomas | no/no |
| Smith, Clasina Leslie | The Garden of Instability: The Interrelationships Between Relativity Theory, Quantum Mechanics, and T.S. Eliot's Burnt Norton | no/no |
| Sykes, Tracy | And All Our Songs Are Not Mourning: H/Eros Tales in Audre Lorde's Zami: A New Spelling of My Name | no/no |
| West, Carla D. | Christine de Pizan: Can We Call Her a Feminist? | no/no |
1996
|
||
|
Andrews, Laura Louise |
Hemingway's Women |
no/no |
|
Carey, Jennifer |
Man's Power, Woman's Power: Gender Roles and Sexuality in Dracula |
no/no |
|
Hall, Kim Marie |
The Legacy of Barabas and Shylock |
no/no |
|
James, Christine |
The Influence of Autobiography in Kate Chopin's The Awakening |
no/no |
|
McCauley, Sara E. |
Travels from the Fifth Dimension to Western Mysticism: Quantum Physics as the Bridge between Madeleine L'Engle's Time Trilogy |
no/no |
|
Mehlen, Shelley |
Finding Fertile Ground in Zora Neale Hurston's Their Eyes Were Watching God |
no/no |
| Morgan, Benjamin | Virginia Woolf, the Real and the Reflected | no/no |
| Neaves, Joy |
Wild Women's Legacies: Community and Heritage in Gloria Naylor's Fiction |
no/no |
| Sellers, Jennifer | The Questions of Conflict, Choice, and Transformation in Victor Hugo's Les Miserables | no/no |
| Thomas, Jonathan | What Are You Reading? | no/no |
| Trimmer, Kathleen K | Jane Austen: What History Would Be Like | no/no |
1997
|
||
| Allison, Dusty L. | Two Toads Diverged in a Yellow Wood, and Sorry I Could Not Travel Both: Ways of Looking at Place, Natural World, and Spirituality in the Works of Gary Snyder and Wendell Berry. | no/no |
| Broaddus, Margot A. | A Perspective of Jeannette Winterson: Strength Through the Use of Androgyny and Magic | no/no |
| Chandler, Donna N. | Reading With a Blindness of Faith and a Vision of Mystery: Reconsidering Problems of Interpretation of Flannery O'Connor's Fiction | no/no |
| Christopher, Stephanie L. | Where the Lines of Fact and Fiction Blur: A Study of Dorothy Allison's Life | no/no |
| Cody, Brook | Addie's Chapter: Faulkner, Modernism, and the Failure of Language | no/no |
| Delinger, Summer | Edna Pontellier's Defiant Awakening | no/no |
| Fellers, Stephanie | The "Unbridaled" Woman: Did Shakespeare Want to Tame the Shrew | no/no |
| Gant, Wanda | David Copperfield Rewritten into Great Expectations: The Individuation of Protagonist | no/no |
| Gary, Jessica Cassie | Manipulating Gender for Meaning and Equality in the Wife of Bath's Prologue and Tale | no/no |
| Gauthier, Timothy | Borgesian Time | no/no |
| Gibson, Matthew | Mario Vargas Lllosa's Constantly Recurring Story: The Storyteller as Postmodern Panacea for the Dilemma of Modernism | no/no |
| Gupton, Michael | Sacrificial Pawns: The Anti-War Themes of Johnny Got His Gun and Slaughterhouse Five | no/no |
| Holloway, Joi | World War I: Ripples In Our Time | no/no |
| Horton, Malcolm Eric | Toward a Universal Poetics: Race and Religion in the Works of Robert Hayden | no/no |
| Pisano, Jessica Snow | Strindberg's Dream-like Atmosphere: A Modern Realism | no/no |
|
Price, Stephanie |
In Defense of Carl Sandburg: Pedagogue of the Common Folk | no/no |
| Ramsey, Tonna | Reverse Psychology: Bad Becomes Good in Hamlet | no/no |
| Rosefield, Scott | A Place Between God and Man: The Anti-parable in Cormac McCarthy's The Crossing | no/no |
| Speer, Julie | The Moral Development of Edna in Kate Chopin's The Awakening | no/no |
| Spotts, Laura | Yeats, the Mask, and Contemporary Irish Theatre | no/no |
| Sutherland, Catharine | Intimacy in the Art of Eudora Welty | no/no |
1998
|
||
| Austin, Carrie Michelle | The Economic Base and the Superstructure of Social Class in Honore de Balzac's Le Pere Goriot | no/no |
| Bolick, Arami H. | The Poetics of Juggling: "Combinatorial Play" as NeoRealismo in Italo Calvino's The Castle of Crossed Destinies | no/no |
| Broadway, Gina Marie | The Meaning and the Myth: Iconic Animals as Agents of Meaning in Alice Walker's Novel The Temple of My Familiar | no/no |
| Broadway, Matthew | Arafa and Gebelaawi: The Relation Between God and Man | no/no |
| Crown, Marissa | Truth Telling: Zora Neale Hurston's Mules and Men | no/no |
| Cuttler, Steven | Singing of Walls: The Limitations of John Gardner's Grendel | no/no |
| Harrell, Jr., Kenneth L. | From Acceptance to Autonomy: Ralph Ellison's Engagement with Black Freedom in Invisible Man | no/yes |
| Hollifield, Heather Dawn | Mythical Rebellion: The Inverted Myth Structure of Wuthering Heights | no/no |
| Kent IV, Richard Peabody | No Circle, No Orbit: Time, Space and Time-Space (Film) in Gravity's Rainbow | no/no |
| Krape, Monique Victoria | The Making and Unmaking of Leonard Bast | no/no |
| LaSpaluto, DeAlva Carraway | The One Thing Needful: The Ethics of Education in Charles Dickens's Hard Times | no/no |
| Millspaugh, Scott Sims | On Earth as it is in Heaven: The Politics of Decadence in D'Annunzio's Il Piacere | no/no |
| Perry, Ellen J. | 'Had Such a Lady Spoken for Herself': Christina Rossetti's Tribute to Women | no/no |
| Pirkle, Jacqueline M. Podelski | Comparison of Geoffrey Chaucer's The Man of Law's Tale: Chaucer's Intended Associations and Bias | no/no |
| Ramuten, Cayanne | Langston Hughes' Transformation of Blues into Poetry | no/no |
| Roy, Amber | Venice: Setting as Character in Mann's Death in Venice and James's The Aspern Papers | no/no |
| Troxler, Elizabeth Engle | Recycling Time in Magic Realism: Toward an Understanding of the Mythic in Contemporary Literature | no/no |
| Wilbur, Peter | Re-Membering the Past as Presence: Robert Creeley's Memory Gardens | no/no |
1999
|
||
| Buchanan, Bonnie Blue | Facing Dark Comedy: William Faulkner's As I Lay Dying | no/no |
| Byington, Jonathan C. | The Emasculation of Hamlet: The Effects of Spiritual Turmoil | no/no |
| Donaldson, Jr., Alphonso | Salvador Dali and Andre Breton's Struggle for the Surrealist Identity through History, Paintings, Prose and Poetry | no/no |
| Fravel, Tamara A. | Conrad's Heart of Darkness: A Romantic Hero's Quest | no/no |
| Gaither, Alicia Sunyel | Images of Emily Brontë Within Wuthering Heights | no/no |
| Giles, Ryan | The Earnest Game of Geoffrey Chaucer and Juan Ruiz | no/no |
| Hall, April DéShawn | Themes of Social Protest in the Work of Two Women Writers of the Harlem Renaissance | no/no |
| Heald, Candice (now Candice Heald Cunningham) | The Virgin, the Wife and the Widow: Perception and the Power of Choice in the Canterbury Tales | yes/yes |
| Hutchens, Elizabeth Jacobi | Solutions to the Marriage Problem: Congreve's The Way of the World | no/no |
| Junge, Troy Alexander | Perspectives: On Understanding Charles Olson's The Special View of History | no/no |
| Kirbach, Stephen Mark | Epic Convention and the Suspect Structure of Meaning in Susan Howe's Secret History of the Dividing Line | no/no |
| Lowder, David Eugene | From the American Dream to the American Nightmare | no/no |
| Monaco, Karen | Holden Caulfield's Critique of American Society | no/no |
| Phillips, Sara Elizabeth | Patterns of Experience: Augustinian Spiritual Autobiography and T. S. Eliot's Four Quartets | no/no |
| Sanderson, Angela Reneé | The Handmaid's Tale as a Postmodern Dystopian Text | no/no |
| Taylor, Amanda Elise | Walt Whitman's "When Lilacs Last in the Dooryard Bloom'd": A Study of Transcendental Art | no/no |
| Varner, Miriam Elizabeth | "I'm telling you stories. Trust me." : Jeanette Winterson's The Passion as a Work of Metafiction | no/no |
| Vess, Laura Beth Lavender | A Disappointing Leader and Judge: The Host in Geoffrey Chaucer's The Canterbury Tales | no/no |
| Williams, June Henrichson | Isolation, Sorrow, and Disappointment: Anne Brontë and the Shaping of Agnes Grey | no/no |
| Winzeler, Alison Christine | Female Resistance in The Tragedy of Mariam: Speech as a Means of Rebellion | no/no |
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2000
|
||
| Browning, Victoria T. | Creating Authority through Experience: Christine de Pizan and Her Feminization of the Misogynist Literary Tradition | no/no |
| Caudill, Gray | Looking In and Reaching Out: Let Us Now Praise Famous Men and the Transcendence of Documentary Tradition | no/no |
| Clere, Sarah Elizabeth | What Work Is: Labor’s Relation to Gender in My Antonia and The Professor’s House | no/no |
| Clossey, Brian William | The Myth of Disillusionment in the Fiction of the Great War | no/no |
| Cozzarin, Andrew | Exceeding Expectations: The Importance of Women in Steinbeck’s The Grapes of Wrath | no/no |
| Davis, Alixanne Erin | Renaissance Anxieties Concerning Ambiguous Bodies: "Did Clothes Make the Man – or Woman ?" | no/no |
| Duffy, Katrina | Forces of Vision: Defining Pecola Breedlove in The Bluest Eye | no/no |
| Gregoire, Terese Annette | Publishing Women: Virginia Woolf and the Freedom of the Private Press | no/no |
| Kader, Emily L. | Revising and Reclaiming the Myth of Deirdre in Ann Devlin’s Ourselves Alone | no/no |
| Kowal, Julia | "This World is Not Conclusion": Emily Dickinson’s Rejection of Determinism | no/no |
| McCraw, J. Aletha | Negotiating Nationhood: Sexual Anxiety and Female Rule in Elizabethan England | no/no |
| Miller, Janice E. | "Surviving a Small Place with Grace and Intelligence": A Study of Social Convention in Pride and Prejudice | no/no |
| Mitchell, Nona | The Empowerment of Women in Fiction Through Fairy Tales | no/no |
| Powell, Ethel Ann | Trouble in the Margins: More and Less "The Parts" in Twelfth Night | no/no |
| Ramsey, Lisa Marie | One Telling of the Kentucky Tragedy: William Gilmore Simms’ Adaptations of History | no/no |
| Saxman, Elizabeth A. | A Construction of Feminism: In Defense of Scarlett O’Hara | no/no |
| Schuller, Tracy | A Projection of Self: A Study of Emily Brönte’s Wuthering Heights as Continuation of the Literary Device of Doubling | no/no |
| Scruggs, Kelly E. | Identifying Millay: The True Value of a Poet | no/no |
| Sheppard, Debbie | "The Clerk’s Tale": Submissive Wives, Child Abandonment, and Limitless Patriarchy | no/no |
| Snipes, Amber | Predictions for Reform: Charlotte Perkins Gilman’s Feminist Ideals in a Utopian Setting | no/no |
| Strivelli, Rachel Astra | The Destruction of the Greater Community in One Hundred Years of Solitude | no/no |
| Swing, LeAnna Earls | Appalachia’s Celtic Roots: Feminist Deconstruction of Dichotomy and Hierarchy in Lee Smith’s Fair and Tender Ladies | no/no |
| Thurston, Wendolyn L. | Irvine Welsh’s Marabou Stork Nightmares: Scottish National Development and the Novel Politic | no/no |
| Tuttle, Johnathan L. | Patti Smith and Arthur Rimbaud: Joined at the Soul | no/no |
| Westmore, Gillian | "Uncase Thee": Confounding Class Hierarchies in The Taming of the Shrew | no/no |
| Wilson, Sunshine | Reflecting Changes: Inclusion of George Herbert in The Norton Anthology of English Literature | no/no |
2001
|
||
| Allgood, Amanda Lee | Women as Texts: How are They Read? | no/no |
| Benton, Katharine | Angela Carter’s The Magic Toyshop: The Magical Power of Art | yes/yes |
| Bowles, Elizabeth (now Elizabeth Bowles Johnson) | Mary Shelley’s Frankenstein: A Critique of the Effects of Patriarchal Nineteenth Century Europe on Women and Children | yes/yes |
| Calnan, Camilla S. | William Carlos Williams’ Levels of Memory: Explored through "Shadows" and "The Descent" | no/no |
| Corriher, Charles | Futile Gestures: Aggression, Ethics, and Entropy in Raymond Carver’s What We Talk About When We Talk About Love | no/no |
| Currey, Mason | "The Refuge of Art:" Aesthetics, Escapism and Redemption in Lolita | no/no |
| Gallagher, Theodore Miles | A Little More Is Revealed: A Study of the Epiphanies in A Portrait of the Artist as a Young Man | no/no |
| Galloway, Amy | Wicked Women or Admirable Ladies?: The Portrayal of Medieval Females in Boccaccio’s Decameron | yes/yes |
| Goffin, Jordan | Mason and Dixon: Drawing Menippean Lines through American History | no/no |
| McDonald, Rachel | Confessions of a White Widowed Male: Redefining Narrative Unreliability in Nabokov’s Lolita | no/no |
| Moore, Genevieve | " To show my sex the way to freedom’s door" : Divorce and Women’s Dissent in Elizabeth Cary’s The Tragedy of Mariam | no/no |
| Newton, Jessica | The Role of Sacrifice in Flannery O’Connor’s Short Stories | no/no |
| Padgett, Kristen M. | The Controlling Woman in Eudora Welty’s: A Curtain of Green and Other Stories | no/no |
| Penland, Alison Metcalf | Fear in The Cancer Journals: Audre Lorde and Autopathography | no/no |
| Schwartz, Christina S. | Storytelling in Full Color or Black and White: Frazier, Chekhov, and Lake Wobegone | no/no |
| Thuot, Christopher | Louisa May Alcott’s Moods: A Nineteenth Century Woman’s Struggle Against Nature and Society | no/no |
| Whisenhunt, Laura Adair | The Exploration of Reality in Jeanette Winterson’s The Passion | no/no |
| Whitmire, Lesley | "They Wasn’t Mine to Love": Motherhood in Beloved | no/no |
| Zace, April | The Autobiography of Madame Jeanne-Marie de la Motte-Guyon: Breaking Out of the Traditional Mystical Mold | no/no |
2002
|
||
| Arbegust, Bonnie | The Construction of Maternal Power in Macbeth | no/no |
| Ashe, Ariel | The Furies of Athena: Expressions of Cultural Change in Aeschylus' The Eumenides | no/no |
| Davis, Jennifer L. | The Sound and Fury of Faulkner's Continuum | no/no |
| Dunlap, Noah Daniel | Not By Force: Cromwell as the Archetype for Satan in Paradise Lost | no/no |
| Harbinson, Heather Ashley | An Inveterate Novel Reader Makes But a Miserable Wife and Mother: Novels that Instruct as Well as Delight | no/no |
| Heimer, Robin | Expansion and the Domestic Frontier: Gender Transposition and Its Consequences in Willa Cather's O Pioneers! | no/no |
| Henderson, Stephanie | Love, Passion, and Interlocking Triangles in Emily Bronte's: Wuthering Heights | no/no |
| Huskey, A. Hope | Defying Womanhood: Exploring the Power of Choices by Catherine Earnshaw and Jane Eyre | no/no |
| Knox, Helena M. | Harry Potter, the Un-Dead, and the Dark Expanse of the Unknown: The Reinvention of the Gothic Novel in Bram Stoker's Dracula and the Works of J.K. Rowling | no/no |
| Lewis, Megan L. | Boundary-Crossing Queens: Shakespeare's Cleopatra and Elizabeth I | no/no |
| Machalek, Katherin Elizabeth | What Makes Reason Right?: Education, Obedience and Duality of Reason in Paradise Lost | no/no |
| McGahey, Jacob Ramana | The Literary Prophet's Search for Meaning: A Close Look at the Lives and Literary Works of Franz Kafka and Allen Ginsberg | no/no |
| Oelschlaeger, Eric S. | Dissemblance and Agency in Elizabeth's Cary's: The Tragedy of Mariam | no/no |
| Williams, Kendra | Ecofeminism in Barbara Kingsolver's: Prodigal Summer | no/no |
| Wilson, Kellie | Creative Destruction: Images in Sylvia Plath's Poetry | no/no |
|
2003
|
||
| Doshier, Elise | This Twittering World: Women and Voice in the Poetry and Plays of T.S. Eliot | no/no |
| Fennell, Julie | Wallace Stevens' Neo-Pagan Cosmos | no/no |
| Goode, Mollie | East of Eden: Representations of Samuel, Cathy, and Lee. | no/no |
| Hall, Jennifer E. | Making Your Own Bed and Laying in it: A Spectrum of Women in Lee Smith's Fiction. | no/no |
| Hansen, Kelly | Within the Acceptable Norm: A Study of Jane Austen's Matron Characters | no/no |
| Killerlane, Lisa | Theirstory: The Fictional Character's Guide to History. | no/no |
| Lee, Margaret | "Faulkner Predicts the Future Through Sons in As I Lay Dying" | no/no |
| McCall, Kristina L. | The Plight of the "Slave Mother" and her Desire for Freedom as Told Through Harriet Jacobs' Incidents in Life of a Slave Girl and Toni Morrison's Beloved | no/no |
| McGuire, Meghan H. | The Walk of a Queen: The Aisling Echoed in Yeats' Cathleen Ni Houlihan | no/no |
| Parenti, Suzanne Lyn | Hemmingway's Habits: A Writer's Life Explained in A Moveable Feast | no/no |
| Pearson, Kimberly | Half Savage ...But Hardly Free: Women and Animals in Agnes Grey and Wuthering Heights. | yes/yes |
| Rodevick, Stephanie | Penelope and Circe: Powerful Feminine Influences in Homer's Odyssey. | no/no |
| Rutledge, Cassie | In the Name of Love: A Closer Look at Love in Shakespearean Comedy and Tragedy. | no/no |
| Shell, Traci | Banishing a False Image: A Critique of Eve's Representation in John Milton's Paradise Lost and her character in Genesis | no/no |
| Zuehlke, Marian | "Mary Shelley's Use of Victor's Relationship To Critique Patriarchal Society" in her novel Frankenstein | no/no |
|
2004 |
||
| Atkins, Emily | Theory in Practice: Merging the Political and the Theoretical in Gloria Naylor's Bailey's Cafe | no/no |
| Bishop, Lisa Dawn | John Milton's Hell and Hell on Earth in Paradise Lost: Mental Hell Verses Physical Hell and Features of the Fallen | no/no |
| Brookshire, Sherry | Gothic Perversions in Matthew Lewis's The Monk | no/no |
| Burns, Dennis | On Kerouac and Buddhism: A Study of On the Road and The Dharma Bums | no/no |
| Chastain, Charlotte | Teh "Good Shepherd": Representation of Authority and Leadership in the Inferno and the Canterbury Tales. | no/no |
| Combs, Kim | Medb: A Unique Female Voice in the Old Irish Epic the Tain | no/no |
| Credille, Alyse | Translating the Soul: A Look Inside Brian Friel's Translations | no/no |
| Day, Josh T. | Horror-Craft: The Fear of Formula and Suspense. | no/no |
| Early, Martha | The Structure of The Grapes of Wrath. | no/no |
| Edwards, Susan M. | Vulnerable to Interpretation: The Fairies and Craftsmen of A Midsummer Night's Dream. | no/no |
| Ginnane, Michael | "You strikes me as ornery": The Function of the Blackface Character in John Berryman's The Dream Songs | no/no |
| Hammond, Shelly | Exploration of Womanist Traditions in Gloria Naylor's Bailey's Cafe | no/no |
| Hudson, Elizabeth | The Art of Fred Chappell's Narrative Techniques in I Am One of You Forever. | no/no |
| Hunsicker, Daven A. | The Father, Actual and Literary, In the Poetry of Seamus Heaney. | no/no |
| Hussey, Maya L. | Elizabeth Gaskell's North and South: Improving Factory Relations Through Dialogue and Sympathy. | no/no |
| Knight, Carleigh Kate | Ruins Where There Was Never a House: Historical Reconstruction in Tom Stoppard's Arcadia. | no/no |
| Lusk, Ashley | Male Bonds in William Shakespeare's Much Ado About Nothing and Twelfth Night. | no/no |
| MacDonald, Benjamin | "I Ain't Saying Nothing": A Study of the Political Ambiguity of the Poetry of W.B. Yeats. | no/no |
| Monk, Dickson | Relying on the Unreliable: Postmodern Narrative in Salman Rushdie's Midnight Children. | no/no |
| Peck, Marshall | The Hemingway Hero: Characterization of the Undefeated | no/no |
| Rhodes, Amanda M. | Domination of "the Other": Rape and Power in The Metamorphoses. | no/no |
| Scovil, Matthew | Ambiguity in Milan Kundra's The Unbearable Lightness of Being. | no/no |
| Straub, Nicole | Social Emptiness and Disconnection in Bret Easton Ellis's American Psycho: Superficiality and the Search for Identity. | no/no |
| Turner, Mea | Reworking Conceptions: Eve, Mary, and Chaucer's Feminine Characters. | no/no |
| Warren, Adam R. | The Regeneration of Innocence: William Blake's "Songs of Innocence and of Experience" as a Paradigm for Understanding the Spirituality of Literature. | no/no |
| Wilson, Sarah M. | From America to the Congo: An Exploration of the Cultural Transitions Made by the Price Family in The Poisonwood Bible Through the Eyes of Leah Price. | no/no |
|
2005 |
||
| Alvarez, Margaret Mao | By Way of Neither: Elusive Language/Meaning in The Satanic Verses. | yes/yes |
| Anderson, Laura DeBerry | Charting the Mysteries of Suicide & the Adolescent Mind: A Study of the Virgin Suicides and Girl, Interrupted. | yes/yes |
| Asbill, Christopher R | The Rhetoric of the Perilous Realm | yes/yes |
| Aultowski, Adam | The Unreal City: Holden, Ducks, and Catching in the Rye | yes/yes |
| Averette, Sally | The Reformation of Boundaries in Marilynne Robinson's Housekeeping. | yes/yes |
| Becker, John Alexander | Reconciliation and Sundering: The Hermeneutical Experience in James Joyce’s Ulysses & A Portrait of the Artist as a Young Man | yes/yes |
| Cooper, Routh Allison | Transgressing the Machinery of Myth In As I Lay Dying | yes/yes |
| Drye, Kimberly | Voices in the Wind | yes/yes |
| Foster, Nicole | Where Do We Go From Here? The Inherent Instability of Jim Coetzee's Disgrace. | yes/yes |
| Gilbert, William C | History, Culture, and the Search for Individual Identity in Invisible Man. | yes/yes |
| Gnidovic, Daniel J. | Twilight on Corrugated Iron: Steinbeck's Artistry in Cannery Row | yes/yes |
| Goodman, Sarah Vance | Seduction of the South: Faulkner's Alluring Character. | yes/yes |
| Judd, Nancy Thompson | “History’s Journey” A Quest for Identity In Charles Johnson’s Middle Passage | yes/yes |
| Leonard, Zach | Seraph on the Suwanee: A Second Look | yes/yes |
| Levine, Elisa | Engaging Struggle, Finding Hope: A Revolution of Emergence in Alejo Carpenter’s The Kingdom of this World | yes/yes |
| Ludwick, Erin | Images of Duplicity: From Maternal Rejection to Male Identification in the Poetry of Sylvia Plath | yes/yes |
| McManus, Mary Frances Rusk | The Significance of Metaphor, Imagery & New Technology in Milan Kundra's The Unbearable Lightness of Being & Immortality. | yes/yes |
| Ryan, Dustin | Converting the Bread of Everyday Life: Moral Resistance and the Futility of Repression In the “Nausicaa” Chapter of James Joyce’s Ulysses | yes/yes |
| Schiefer, Elizabeth | Kafka’s Little Modern Fable | yes/yes |
| Schuyler, Rebecca | The Metafictional Power Struggle: If on a winter’s night a traveler | yes/yes |
| Smith, Jennifer Lynn | The Ambiguous Persona in the Caberet Poems of Langston Hughes’s The Weary Blues | yes/yes |
| Squires, David D. | “Reciprocally Rendered Invisible”: Sexual and Textual Representation in the“Ithaca” Episode in James Joyce’s Ulysses | yes/yes |
| Stapleton, Laina M. | 'Atticus is a Gentleman, Just Like Me': Morality in To Kill a Mockingbird, | yes/yes |
| Tinsley, Joshua | Waging the War of Words: Mythmaking in Cormac McCarthy's Blood Meridian. | yes/yes |
| Walker, Will | The Blending of Genres in King Lear. | yes/yes |
| Woodside, Jessica Carolyn | "Tyler, Please Deliver Me": A Comparison between Chuck Palahniuk's Fight Club and Jack Kerouac's On the Road. | yes/yes |
| Zynda, Danielle | 'Reader, I Married Him': Jane Eyre's Problematic Ending | yes/yes |
|
2006 |
||
| Chapman, Melissa | Fiction to Film: The Transference of Morals in Harry Potter and the Goblet of Fire | yes/yes |
| Cheuk, David |
Maxing Hong Kingston’s The Woman Warrior: Forming Identity through Silence |
yes/yes |
| Crowder, Travis | Shakespeare's Twelfth Night: Disguise, Gender Roles, and Goal-Setting | yes/yes |
| Draughon, John | Masculinity and Gender in A Farewell to Arms: Creating Understanding in the Secondary School Classroom | yes/yes |
| Hyder, Scott Adam | Broken Expectations of Sleeping Beauty in Robert Coover's Briar Rose | yes/yes |
| Jacobs, Debra | Orality and the Art of Survivance: The Trickster Figure in Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven | yes/yes |
| Lee, Kara A. | yes/yes | |
| Mozley, John |
Sinking the Titanic: The Iceberg and its Minimalist Implications on Raymond Carver’s Fiction * |
no/yes |
| Ogle, Talia Rebecca | Jane Austen, Marry Wollstonecraft and Feminism | yes/yes |
| Popkin, Luanne | yes/yes | |
| Robinson, Bridget | Who Belongs? Insiders and Outsiders in Lee Smith Oral History | yes/yes |
| Wallace, Jessica Lynn | "To Be Concerned about Being Grown Up": Preoccupation with the Adult in C.S. Lewis's Boxen Juvenilia | yes/yes |
| Watson, Christopher | Reading Against the Grain: The Nature of Interpretation and Critical Appropriation in J.M. Coetzee's Life and Times of Michael K. | yes/yes |
| Wheatley, Matthew |
The Role of Phrasal stress in Shakespeare’s Lucrece and the Winter’s Tale |
yes/yes |
| Wyatt, Denise | A Defense for Milton | yes/yes |
|
2007 |
||
| Bennett, Emily | The Noise of a Hero: Finding the mock Heroic in Salman Rushdie's Midnight's Children | yes/yes |
| Boone, Emily | The Literary Use of Female Sexuality: Nedjma, Jacobs, and Walker | yes/yes |
| Bruce, Dylan | Envisioning Language and Creating the Hyperreal: The Postmodern Condition in Jorge Luis Borges' Ficciones | yes/yes |
| Brumley, Emily Ann | Wariinga's Got a Gun: Feminism and Revolution in Devil on the Cross | yes/yes |
| Buckner, Micah | Spain in Our Hearts: Pablo Neruda Poet of the People | yes/yes |
| Carson, Ingrid | A Bid for Freedom: Talking Back in Virginia Woolf's Orlando | yes/yes |
| Cox, Tamsen Meserve | A Vastness of the Soul: Ethnic Realism and Magical Realism in Amy Tan's The Hundred Secret Senses | yes/yes |
| Hartis, Daniel A. | The Pirate and Rogue in Donald Barthelme's Anti-Fairy Tales | yes/yes |
| Herring, Joel | Surface without Aperture: Interpretive Uncertainty in J.M. Coetzee's Waiting for the Barbarians | yes/yes |
| Hicks, Thomas | Queering the Mainstream: Armistead Maupin and The Night Listener | yes/yes |
| Huntley, Sandra Searcy | Finding Their Places in Time: An Examination of Alexandra Bergson and Julie Richards | yes/yes |
| Klerekoper, Andrew | The Tool of Civilization: The Use of Violence in W.B. Yeats's The Tower | yes/yes |
| Krulikas, Viktorija | Aberrant Characters in Four Flannery O'Connor Stories | yes/yes |
| Lanham, Charlie | Media As Authority in Don DeLillo's White Noise | yes/yes |
| Martin, Candace | Language, Identity, and Oppression: Reading Atwood's The Handmaid's Tale as Slave Narrative | yes/yes |
| Mattison, William | Courtesy of the Green Knight: Spirituality and Religious Ritual in Sir Gawain and the Green Knight | yes/yes |
| McManus, Kim | Rabindranath Tagore: A Voice for the Downtrodden | no/no |
| Parrish, Richard Jeremy | William S. Burroughs' Naked Lunch: Drugs, Satire, and the Metaphor of Control | yes/yes |
| Pendergraft, Paul | "Working for the Common Good": The Sun Also Rises as Ironic Cultural Critique | yes/yes |
| Plemmons, Kellie S. | What Lies Beneath: Motivations for Emma Bovary's Suicide? | yes/yes |
| Salomon, Nicholas | Conspiracy or Delusion?: Paranoia in Thomas Pynchon's The Crying of Lot 49 | yes/yes |
| Sheehan, John Patrick | Montage and Self-Reflexivity in the "Wandering Rocks" Episode of Ulysses | yes/yes |
| Vernon, Robert D. | Boats Against the Current Born Back Ceaselessly into Our Past: Narrative Fragmentation and the Construction of Meaning in The Great Gatsby | yes/yes |
| Wilensky, Jesse Daniel | Pinter's Penal Panopticon | yes/yes |
|
2008 |
||
| Baker, Amanda | yes/yes | |
| Blair, Kathleen | yes/yes | |
| Crawford, Carly | yes/yes | |
| DeBoer, Zachary |
Carnival Virtues: Sex, Sacrilege, and the Grotesque in Nathanael West's Miss Lonelyhearts |
yes/yes |
| Edwards, Jin |
Landscape and the Supernatural within William Butler Yeats's Early Poems |
yes/yes |
| Gerall, Alina | yes/yes | |
| Harvin, Maggie | yes/yes | |
| Metz, Melissa |
Freaks, the Grotesque, and Other Sideshow Attractions in the Fiction of Carson McCullers |
yes/yes |
| Reilly, Rebekah | yes/yes | |
| Rikhye, Sonya |
The Existential Crisis of Coetzee's Protagonistsin Waiting for the Barbarians and Disgrace |
yes/yes |
| Thompson, Halley | Flannery O'Connor: Fiction as Theological Parable | yes/yes |
| Travis, Crystal |
The Demonology of Mark Twain: Reading The Mysterious Stranger Manuscripts |
yes/yes |
| Walton, Jessica | Ain't No Laughing Matter: Southern Humor in Clyde Edgerton's Raney | yes/yes |
| Watson, Gwen | Searching for Humanity Through the Eyes of Ernest Gaines: Nonverbal Communication in A Lesson Before Dying | yes/yes |
| Weaver, Amanda | The Epic Battle of God and Nature In Tennyson's In Memoriam | yes/yes |
| Wellman, Pamela | The truth cannot be anywhere but in the speaking of it: Storytelling and the Action of Ambiguity in Cormac McCarthy's The Crossing | yes/yes |
| White, Logan | Ignoble Savages: Lester Ballard of Cormac McCarthy's Child of God | yes/yes |