Bluets - January 1937


[Chimney Rock, cover of "Bluets," 1937], University Archives, D. H. Ramsey Library, UNCA

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BLUETS

A Literary Magazine Dedicated
to the
Expression of Progressive Undergraduate Opinion


BILTMORE
  COLLEGE

Asheville, North Carolina
January, 1937

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PRESENTING YOU A BLUET

Nature has endowed mankind with blessings which often go unappreciated Beauty lies at every turn of the way, if only mortals would stop to appraise mother earth and her work of art. Slight, frail flowers, almost hidden in their own little world, shine in a profusion of color, daring artists to equal.

Nestling picturesquely amid a panorama of splendor, these tiny gems of God lift their heads to the warm spring sun, even as the shy violets do. Swaying on a cool, damp carpet of emerald-green moss and radiating pure innocence and quality unparalleled, this timid and dainty masterpiece of nature bends slightly with the warm breezes that herald the approach of Spring. Hardly heard of and shunned by poets, this simple beauty, with four pale blue petals, seldom attaining the height of six inches, goes un-noticed by man. Yet for all of its insignificance our most cherished possession contains rarities envied by the mighty.

If, by chance, a person stumbles on one of the many beds of Bluets spread from Canada south to Georgia he would gasp in awe. Millions of these wee flowers, scattered through moist meadows, and by the wayside, reflect the blue and the serenity of heaven in their pure upturned faces. Often where the white species flourish, one might imagine that a light snowfall had dotted the grasslands, or a milky way of tiny, florid stars had streaked the earth.

Thus do bluets grow.

FRANK GLENN

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Jo jones                   BLUETS                                Miss virginia bryan Editor                                                                     Adviser
 

  EDITORIAL COMMENT:       

War  .........................................................5

Youth   In   Conflict  ..................................... 6

The Price of Redemption.......................... Janice Alien and Howard Kahn      7

In a Garden  .......................... .... Jean Alexander      9

Sunset   (Poem)    ...................... .Mary  Catherine  Stockinger      9

Whew  ................................................   Burton  Kinney    10

The Mother of the Army and Navy ........ Frank Glenn    11

Poems   (Poem)    ................... .Miles  Palls    11

Old and New Russia ..............Pinkney Groves, Jr.    12

Caveat Emptor  (Poem)   ................ George Smith     13

The  Bells   (Poem) ....................... .Wilma Dykeman    14

Sea-Cook Sam  .......................   George Smith    15

Hunters  (Poem)   .......................... Miles Falls    16

A BROWSE AMONG  BOOKS:      

                    

           After All   ...............................Deborah  Rubin

White Banners  ...............................  Mary Jett

The Inquisitor   ......................   Deborah  Rubin

Steamboat Round the Bend   ........  Jo Jones

Journey to the End of the Night ......... Burton Kinney

Gone with the Wind   ................Ida Rosen

Spotlight   ..................   Wilma  Dykeman

Doors  .......................................   Robert Steele    20

Serenity   ...................................   Jo Jones    2 0

Clouds Part   ..........................   Deborah  Rubin    21

After Dinner Sermon  ......................  George Smith    23

So There!  (Poem)   ........................ Burton Kinney    23

POETRY SECTION:              24

The One Unseen  .................... Wilma Dykeman

Hell  Bound  Crew   ................. Frank  Glenn

Mad Murder ....................................  Martha Wrenshall

A Humble Plea ......................... Jo Jones

Mood   .................   Wilma Dykeman
 

Futility  ..............................  Jio Jones

Finis   .....................   Wilma  Dykeman

Our Problem   ........................   Frank Glenn     80

Through Bus  ...................  Martha Wrenshall    31

Cold Mornings (Poem)   .......iles Falls    31

My First Shave  ............................ Bill Weddle     32

 

Loftiness   ...................   Frank  Glenn    33

Character  ..................... Miles Falls    34

Innuendo (Poem)  ............ Anne Garrison and Sara Smith    84

A Mistaken Motive  ....................  Jean Alexander    35

Friends  (Poem)   ...............  Frank Glenn    35

VIEWS ON RELIGION:              36

Value of Religious Freedom  ..........Anne Garrison

A Personal Inventory  ...........  Mary Jett

Foreign Missions  ................  Hazel Carson

Personal Religion   ......................   Sara Smith

Religious Toleration  ...............  Burton Kinney

Anthony Adverse   ....................   Christine  Ponder    38

The Things I Love   ...................  Wilma Dykeman     38

A Viking Festival  .......................  Frank Glenn        39

The Gentle Art of Telephoning ......... Wilma Dykeman    40

 

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BLUETS
Published by the Students of Biltmore College
january, 1937

number I
vol. X


BUSINESS   MANAGERS

DEBORAH   RUBIN

MILES FALLS

BILL   WEDDLE

CIRCULATION  EDITORS

JEAN ALEXANDER

MARY   CATHERINE STOCKINGER

FACULTY ADVISER

MISS   VIRGINIA   BRYAN

THE STAFF

EDITOR-IN-CHIEF : JO   JONES


ASSOCIATE  EDITORS
:


      POETRY: 
MARY   JETT

 

PROSE: WILMA DYKEMAN, BURTON KINNEY

ADVERTISING   MANAGERS

PINKNEY GROVES,    JR.

GEORGE SMITH

ART  EDITOR

 

FELICE FLANNERY

 

TYPISTS

MARY JETT
MARY CATHERINE STOCKINGER



Editorial Comments

WAR!

In these critical days of international un­rest, re-armament, and ruling isms, a most timely topic for discussion is war, that tyrannical vampire which even in our so-called godly and civilized world is rending nations asunder, sucking the life blood of the people and instilling the canker of hatred into countless millions.

Yet, of all institutions, war is the most useless, the most futile. But there is still war. Who gains by it? Who is responsi­ble for it? Not the people, it is clear. Who, then? It is those who sit safely fortified behind mahogany desks and dictatorships — grafters, munition makers, rulers—who, through a complicated system of propa­ganda, lead the people to believe that they are fighting for honor, duty, and country. But the pity of it all is this: How can sup­posedly intelligent people be thus duped? One seldom sees those who have fought ap­prove of war. Why? There is an old but adequate adage, "A burnt child dreads the fire". The people who have never seen the horrors of battle are the ones who are fooled into fighting. They see only the romantic side of battle—the beating drums, the natty uniforms, the fond farewells. Muddy trenches, whistling shells, blood—that is something they write about in novels. But it is very simple to explain this attitude. Probably the first toy a youngster has is a wooden soldier; in school he learns the dates of all the important wars, never of important peaces; his scout troop marches for a military parade; his father reads him stories about famous generals, while his favorite movie theater features some hand­some Romeo as a famous war ace or daring spy. Is it any wonder he grows up mili­tarily-minded? Is it any wonder he and thousands like him are fooled into fighting thousands of other men whom they do not know or hate personally, but who, like themselves, have been taught war?

All the nations of the world claim to worship some higher being who teaches love of mankind, yet they break one of the greatest commandments, "Thou shall do no murder". How they can claim to love any­thing except themselves, how they can ex­pect world peace by substituting for their true feelings the motto: "All's fair in love and war", is indeed a mystery for a master mind.

But surely the whole population is not so hypocritical. Surely there are a few thinking people who can see where the world is heading. I appeal to the youths who will be compelled to be the soldiers of tomorrow. In spite of the fact that propa­gandists tell us that war is inevitable, any-one can see that if

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men refuse to fight, there can be no war. Down with the Hitlers and Mussolinis, down with the hypocrites of the world, down with grafters and self-centered munition makers. We must teach the nations of the world to be so conscious of their neighbors that they will have no desire to murder.
 

YOUTH IN CONFLICT

I know it is the tendency of adults to discount the opinions of youth, but I believe if they would listen to us instead of laughing at us, less heartbreak and disaster would ensue on both sides. To those who have met the experiences of life we seem terribly young, but to ourselves we are old, and we resent having our ideals and beliefs tossed lightly aside as something we must pass through and then discard. The world is different today. Speed, specialization, changing ideas have built up an entirely different universe. Youth is not going to the dogs as some smug persons would have us believe. We are merely learning to cope with new situations in an advancing society. These are not horse and buggy days; these are days of automobiles and airplanes. Because father was supporting himself and three younger brothers and sisters before he was twenty, or because mother was married and had two children when she was nineteen does not mean that the youth of today could or should be expected to follow the example set by those who came before them. It is necessary that we of today have education to better compete with other young men and women. Without training we are nothing, and we can never expect to rise above a stage of mediocrity. The women of today have come into their own. No longer are they vassels to the opposite sex. Instead of squeezing their waists to a light eighteen inches, being shocked at the mere mention of ankles, and fainting upon even the suggestion of a mouse, women are dressing sensibly, pronouncing a blush as out-dated, and turning the mice over to Walt Disney. Women are independent. If they do not marry, they are not considered objects of pity, or if they are married and lose their husbands, they are not compelled to accept the charity of disgruntled rela­tives; but they may tackle life with clear eyes, intelligent minds, and keen wit to carve out a career for themselves. And the men, far-seeing and capable beings that they are, are accepting their women in a position equal to their own, considering them as true helpmates, and giving their opinions the respect they deserve. It is a fifty-fifty proposition instead of the seventy-five-twenty-five alliance of fifty years ago. We do not mean to replace the older generation; we are not disrespectful to them; neither do we mean to disobey them. All we ask is that they give us tolerance for our ideals, understanding for our problems, and help in our dire needs so that we may become better and more useful citizens in the world of tomorrow.

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Price of Redemption

Janice Allen and  Howard Kahn

He was sentenced to be hanged within an hour. Did he dread it? Here he was facing death, guilty of this terrible crime. A feeling of horror ran through his whole soul and body. He found himself almost wishing that he had not confessed his guilt. He whispered a short prayer as he arose to continue his pacing up and down his prison cell. His memories of the past were all con­fused. He saw Theresa back at home, trying earnestly to take her mother's place. Now he saw the two men whom he had murdered.

As Mr. Buchanan continued to walk up and down his little prison, his mind be­came clearer, and he could distinctly see the whole thing happening again. He re­membered one evening about twilight when he had found Theresa, his own be­loved daughter, talking with William Lewis, his enemy's son. He could not have been mistaken, for they had been talking low and confidentially as none but lovers do. He had then determined to stop this immediately.
 

Buchanan and Lewis had been enemies since childhood. When they were boys, Lewis had accidentally killed Buchanan's dog. He had apologized for the accident and had even offered to pay for the animal, but Buchanan had accepted neither the apology nor the money.

"Some day I'll do for that man exactly what he did for my dog," Buchanan had often told himself. "I'll not regret it either."

Thereafter he had crossed Lewis's path at every possible turn, and he had managed to get his hands on a mortgage which, if foreclosed, meant his enemy's ruin.

He was walking again up the side of the mountain to the little home of Mr. Lewis. "Mr. Lewis," Buchanan had said to the old gentleman, "your son, William, has dared to court my daughter secretly.

Now this thing has got to stop. Damned if my daughter is going to have anything to do with such trash! This thing has got to stop right now I tell you!"

"Whatcha want me to do about it? I ain't a-goin' t' have nothin' t' do with my son's courtin'. He's a good boy, an' him an' his gals is his own business."

Made furious by these words, Buchanan seized his knife and cut the speaker down. It had been a fatal blow, for he had stabbed the man right in the heart. Blood gushed from the wound. It streamed to the floor. The horrible shrieks of the dying man pierced through the log house.

"Whatl wrong?" William had asked asked breathlessly, as he had rushed in to the aid of his father.

"Not a darn thing!" Buchanan had angrily replied. "If you don't shut that mouth of yours and get out of here as quickly as possible, I'll cut your heart out."

"Not mine," the boy had immediately answered, "but you'll get what's a-comin to you!"

William had no sooner finished this statement than Buchanan had stabbed him in the heart and had laid him beside his father.  

"I guess the world is rid of this whole darn family now," he had remarked to himself. Here he had stopped to contem­plate for a few minutes. He had asked himself these questions: "Why did I do it? What shall I do with the bodies? How shall I prevent the people from finding it out?"

He had soon found the answers to the last two questions. Very cautiously, as if afraid someone would hear him, he had carried the bodies to a near-by well and had dropped them in.

While returning down the mountain to

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his home, Buchanan had lost his knife. Although he had hated to part with it, he had hoped that it had fallen into the well with the dead men, for his initials had been plainly carved on the handle. Would someone discover his secret after all?

This prisoner was continually walking up and down his dismal little cell as these reflections flashed through his mind. Sud­denly he seemed to stop thinking entirely. His stubborn brain refused to work. For a moment he failed to remember that he was in this detestable place. He even forgot that he was to be hanged within a few minutes. His whole past completely vanished from his mind. For a moment he was even unconscious of the world's existence. His memory was coming back to him now. He vaguely pictured himself back at home with Theresa. They were eating dinner all alone in the big dining-room. They were again talking together on the porch, as they used to do after Theresa had washed the dishes.

"Father," she had said, "isn't it mysterious how William and Mr. Lewis so sud­denly disappeared?"

"Yes, it is," he had answered her abrupt­ly, but he had not dared to say any more.

This little scene reminded Buchanan of having seen Theresa go alone up the moun­tain side to the log house where he had murdered the two men. Yes, as William had told him, this was a "cruel and wicked deed", and the prisoner was thinking more seriously about it now. He wished that he could blot it entirely from his memory, but that was utterly impossible. He whis­pered another short prayer as he walked to the one little window of his room to look for a last time at the happy world outside. He could hear a brook tumbling over the rocks just behind the prison. Birds were singing in the trees. He thanked them for their efforts to make him happy. He breathed a deep sigh as he turned from this gaiety back to his dismal little cell.

The gloominess of the room reminded him again of his past. He remembered having followed Theresa up the mountain. He had noticed for a long time that she had been going to this house every day, and he had wondered what she did up there all by herself. The place was still untenanted, since Buchanan had succeeded in establishing his right to it. On reaching the house, Theresa had dropped to the edge of the narrow porch to rest from her long and tiresome walk. After a very short while she had gone into the house and had taken a chair facing the picture of William and his father, which had been left hanging on the wall of the front room. He could clearly see her sitting there now, her tear-stained eyes directly on the picture in front of her. It was then that he had realized that his daughter was really hurt over the mysterious disappearance of the Lewises. It had made him sad to see her . -£| suffering that way. It made him sad now JS^' as he thought of it. To think that he had been the cause of his daughter's unhappiness was almost more than he could bear. He was still walking the floor and thinking very seriously about Theresa. Suddenly reminded of a letter in his pocket, he took it out and read: "Dear Father,

I'm leaving you. Since William disap­peared, I have trusted and loved you more than anyone on earth, but now that it is quite evident that you murdered him, I find it impossible for me to live with you any longer. Father, you cannot know how disappointed I am. Since mother died, you and William have meant everything to me. After William died, I had only you left. Now that I have lost all confidence in you, I have nothing else to live for.

If you care anything about my body, you will find it in Mr. Lewis's house.

Theresa".            

 

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In A Garden
Jean Alexander


For ten years Miss Spencer had lived alone in the family home. She seldom went out and had no visitors. She had only one servant, the old gardner, who was the only other human being ever allowed to enter her lovely, secluded garden.

One evening in late summer the garden­er saw his mistress come out of the house and he stopped to watch her, for he was hidden by the giant shrubs near the tool house. Slowly she made her way into the garden. As she went down the leaf-strewn path, the enticing odor of early autumn met her and she seemed inspired as she viewed the dying reflection of the sunset behind the distant hills. Then, in an instant, her attention was drawn to a small brown bird, working busily about a tiny mound of earth near one of the towering oaks. Miss Spen­cer stood very quietly and watched the bird for a few moments. As she watched its tireless labor, she noticed that the mound of earth had a small opening, and that a small patch of white was visible within. "Just an oven-bird", the gardener thought to himself. "Wonder why she is so inter­ested?" As he stood there watching, the bird flew into some of the bushes and disappeared. Then he saw Miss Spencer lean down and touch the nest very gently. With a look of admiration and amazement on her quiet face, she turned and walked back to the house.

For many weeks, Miss Spencer put crumbs on the garden patch each morning. And the birds came in increasing numbers. Soon the oven-bird finished her work, for her family grew rapidly and left the gar­den. As the days grew colder and winter began, Miss Spencer grew quite ill and came less frequently to the garden.

When the Spring came once more and the feathered creatures were again visiting the garden, Miss Spencer had grown so weak she had to stay in her room, but she could see the garden from her window. Each day she asked the gardener whether the brown bird had returned or not but he was unable to answer her question for the bird had not been seen.

One evening just as twilight was falling, a brown bird chirped on the sill of her window. Then, as the twilight faded, Miss Spencer left this world, with the vision of the brown bird still in her mind

 


SUNSET

One last golden ray has slipped
Slowly across the sfy.
Above the purple mountains,
Pink tinged clouds float by.

The lofty cloud-flecked heavens,
Are filled with wondrous hues.
The radiances of a million lights
Touch faintly their rose and blues.

 

Across the mountain's majesty,
This violet cloak is thrown.
A glow as light as fairy mist,
Of softest shade and tone.

This magic mantle of color,
Is quick to pass away.
And then there comes quiet dark
To mark the end of day.

mary catherine stockinger.

 

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Whew

Burton Kinney

Whew, but my head aches. That noise, driving me crazy. I can't move!

As I regained consciousness I began to realize the predicament I was in. I had stepped a few paces out of the clearing into the jungle to investigate a weird, inhuman yell which had thrice rent the air during an after supper get-to-gether around the campfire. Suddenly, two pygmies had appeared from nowhere,1! had raised my rifle, but before I could fire, someone had clubbed me from behind.

Now I found myself bound fast to a rough platform-like affair, scarcely longer or wider than myself. Close-by a large group of those ugly little devils were dancing around a fire, singing (if it could be called singing) and beating their d'ratted drums.

I wondered what terrible fate they had in store for me. Would they burn me at the stake, torture me to death, or—what? Just then one of them noticed I was coming to and soon they were all around me, chattering among themselves. The chief gave an order. Several pygmies lifted me up, platform and all. I have no idea how far they carried me, but finally they set me down on the bank of the river. The terrific roar of a large body of water falling some distance betrayed the presence of a high falls only a short way downstream. As soon as all the pygmies had assembled on the bank, they pushed the raft out into the current. I had dreamed of terrible tortures, but never thought of anything like this. As the current carried the raft out into the center of the stream, and picked up speed as it neared the falls, I speculated on my chances of coming out of the ordeal alive. But even if I should survive the plunge over the falls, I would probably land on the under side of the raft, and, since, I could not move, be drowned. In quick succession, fleeting glimpses of many things crossed my mind's eye. Now I wouldn't be able to collect the dollar I had won from Jack at poker last evening, or to succeed in my life's ambition to jerk the ring in the cook's nose.

By this time the water was carrying my raft along at an incredible speed. The roar of the water was deafening, and I knew that in another moment I would go over the falls. I cried out against the cruelties of fate in taking my life when there should have been so much ahead of me.

With a scream, probably more hideous than the ones which had enticed me into the fiendish pygmies' trap, I started down.

But just then, praise Allah, I awoke to find myself on the floor.

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The Mother of The Army and Navy

FRANK GLENN

 

With bowed heads and heavy hearts four hundred and fifty thousand meek warriors kneeled in unison, and four hundred and fifty thousand tear-stained faces turned to heaven as taps rang clear over the tomb of the "Mother of the American Army and Navy". The soul of this beloved mother smiles as she lays a loving hand on each one of these bowed heads. Passing down the aisle of kneeling mourners she looks up­ward into the sky and sees beckoning to her the fine, stalwart faces of her "boys"— boys who shed their life's blood in the horror of war. With an angelic expression beaming on her face, a deep contralto voice rises to the heavens and tightens the already breaking hearts of those paying reverance. The clouds float down from the sky and seem to engulf her as she rises slowly, and her soul goes forth to join her boys. Years pass swiftly in those few seconds, years when she sang for the boys; hearts were enlightened and every mother's son forgot the horror of it, when unconsciously he thought of her. These fleeting moments bring vividly to mind a stage in the grand finish, amid a flurry of glamour and grandeur; operas before royalty, here and there she went cheering one with song and saddening another with memories.

Kneeling doughboys rise and their heads tilt to the sky where she is looking back and now a great blast issues forth and trumpets sound; soldiers from every corner are off to the most beloved personality of all times. Not soon will the tears be dry of those who knew her, whose hand and voice went out to help them in their need, not soon will a mother be loved with quite so much fervor and not soon will the American Army and Navy forget this im­mortal soul as it goes right on marching into the sky and singing its way into the hearts of the angels.

So passes the "Mother of the American Army and Navy"—Mme. Shumann-Heink.


POEMS

Poems are sometimes gay and bring a smile;
Poems are sometimes sad and bring a tear;

Poems sometimes mean our life and everything;

Poems are sometimes words and don't mean a thing.

MILES FALLS

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Old and New Russia

pinkney groves, jr.


In 1917 the people of Russia revolted, but why did they turn to the communistic form of government? Let us review a little Russian history.

Several thousands of years ago a people emigrated from eastern Siberia and the Mongolia region to Europe. A goodly number of these people settled in what is now European Russia. It was these people who began Russia. A leader was crowned, called the "tsar". The people were slaves to him. They owned nothing and knew nothing. If their subjects became educated, the tsars could no longer hold their thrones, so they saw that the people got no educa­tion. The people rose in early morning and toiled in the fields all day till late dusk. The majority of their crops was sent to the tsars, and the laborers had hardly enough to eat. There were few land­owners—mostly those who were connected in some way with the ruling family. Yes, it was these ruthless, uncouth dictators who ruined the people. The tsar's religion was the people's religion. A court with a jury was an unheard of thing as far as the tsars were concerned. One false move by an individual meant death, either immediately following the arrest, or slow death in the frozen salt mines of Siberia.

Finally, the people could stand this un­godly treatment no longer. They saw how the men were pushed into the front, in the World War, with no guns and amurti-tion, how the women were out in front of the men to shield them—to be human targets. The war officials would buy noth­ing for the army until they could get bribes to the amount of almost two-thirds the price of the supplies they were to buy.

In October of 1917, the people revolted and called their war-torn soldiers from the lines. Tsar Nicholas II was taken out and killed, and the Kerensky government set up. Kerensky and Lenin had about the same ideals, but the people saw that Lenin would satisfy their needs better than Kerensky, so the Kerensky government was relinquished and the government of Lenin, the George Washington of Russia, begun.

What were Lenin's plans in his com­munistic government? Lenin wanted to see his people working to an end, getting something out of life. He wanted to end war and revolutions for his country. He was a true son, being born in a small Volga town, a poor boy, a slave to the tsar, a nobody. He rose to the front at the opportune time, and his people saw as he did and followed him. What other kind of government could he have instigated? Capitalism could not work because prop­erty and the right to own could not be turned over to the people at once. They would not know what to do with it. It took government ownership to give the people an equal chance, an even start in new life, a foundation for a better and happier future life.

Let us see just three facts of everyday Russian life and the government of New Russia:

Anyone the age of eighteen or over who is not an employer or insane is allowed to vote. He votes on his town leaders, his state leaders, his representatives to the national government from his state or dis­trict. The only unvoted high office is that of the dictator.

Education is now compulsory. All chil­dren between the ages of five and fifteen are forced to attend school. Education is encouraged among the old people. Now good literature is put into the hands of everyone in the form of good books, news­papers, magazines, etc. Also plays, operas,

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cinemas, and the radio are teaching and broadening the minds of the people. Modern day and night schools and colleges are abundant all over Russia to accommo­date the millions of people who are thirsty for the want of a good education.

"Religion! Ah, they have none. They use the churches for museums." This is heard entirely too often. It is true that the churches of the tsars of Russia are being used as museums. These buildings are too old and Out of date to be used as churches any more. They are valuable, interesting old land-marks, so why not use them for museums? There are some modern churches now to fit in with the rest of Modern Russia. It is true that the govern­ment does not foster religion because it has not proved religion by science, which it hopes to do. But anyone in Russia may worship how, when, and where he pleases.

Communistic Russia wants peace. The Anti-bellum displays are just as numerous as the war displays. The people do not eare to get into wars with other nations and kill their people foolishly. Stalin's policy is: "We do not covet an inch of foreign soil. We will not yield an iota of our own.''

It has now been nineteen years since the Soviet government began. Out of these few years a new people has grown. They have been given new rays of hope, some­thing to live for. Factories run constantly, turning out goods for the use of the people, to better their conditions of living.

Will Russia succeed? They have so far. Bigger and better agricultural products have been stressed. The people now have luxuries that were unthinkable to them twenty years ago. Communism is a step­ping stone, a means to an end. Even now more capitalistic ideas and ways are being instigated in the Soviet machinery. A few years from now, communism will have done its share in the upbuilding of this nation. By this time the masses of the now new generation will understand govern­ment, and capitalism will be the inevitable change.

CAVEAT EMPTOR

Oh, typical slogan of ancient conception,
Protector of merchants to buyer's destruction,

Excuse for fat robbers inflating thin fryers,
Watering milk and shaft changing dumb buyers,
False weighings   and   duping   of   honest consumers,

Oh, "Caveat Emptor', your doom is approaching,
You're  through   with  your  gouging;  you never were fair.
The trend has reversed; now we'll get in YOUR hair.

Scram!   Antique   bogy,   "Let   the   Seller Beware!"

George Smith.

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THE BELLS

"To our radio audience we now present
From the top of the cathedral dome,
The temple bells to ring for you
As the New Year enters your home."

Ding . . Dong ...Ding
Phillips grinned as he turned the dial,

But he paused as he heard the toll
Of the distant bells ringing loud and clear,

How their tones seemed to roll!
Yes, '(was New Year's Day, another year,
But what could it hold for him?
Hard work an the road for the rest of his
life,
And the bells sounded hard and grim.

Ding . . Dong . . Ding . . Dong
And out on a small New England farm,
A thousand miles away,
An old couple sat and serenely smiled
As the bells began to play.
Their glad old hearts leaped forward
To greet a New Year side by side,

And   the   bells   for   them   brought  peace
secure
A peace that would abide,

Ding . . Dong . . Ding . . Dong
The party had reached the peak of fun,
Bright streamers and wine flowed free,
When everyone heard the pealing bells
And shouted with drunken glee.
For the coming of the New Year
Meant fun and hilarious play,
And they greeted it with follies, hope—
To them the bells were gay.

Ding . . Dong . . Ding . . Dong
The house was quiet, the children abed,
And she heard as she sat alone,
The melodious bells from the temple tower,

As they pealed forth their rich, sweet tone.
And she prayed for Faith, for Love and
Hope,

For Strength to conquer fear—
And she thanked God for her simple life,
To her the bells meant—a New Year!

Ding . . Dong . . Ding . . Dong

WILMA DYKEMAN.

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    15

Sea Cook Sam

GEORGE SMITH

Having awakened early and having nothing to do till breakfast, I strolled out on the dewy lawn, which glistened in the oblique rays of the morning sun. As usual on such aimless jaunts, I eventually ap­proached the water-front. The myriad waves dancing in the off-shore breeze, dashing off multitudes of dazzling diamond chips, the very docks glinting in the sun, seemed to vitalize the freshness of the new day. There, sunning himself on the end of a wharf and puffing away at his morning pipe, I met an old sailor. I paced the length of the wharf and non­chalantly draping myself on the end, pro-ceded to eye the old salt assiduously, while pretending to be viewing only the vista of ocean and sky.

Presently he opened the conversation with, "Good morning, youngster."

Although I deeply resented his unintend­ed slur on my age, I cheerfully replied, "How do you do, sir?"

"Well," he observed, "as Sea-Cook Sam would say, 'I'm better and worse than I could be.' "

"And may I ask who Sea-Cook Sam is?"

"Sure you can ask."

"Well", I prompted.

"Well", he retorted.

We exchanged looks and laughed. Then seeing he was determined to be difficult, possibly to arouse my interest, I tacked.

"Tell me about Sea-Cook Sam, please sir." I asked.

"He was the best cook on the high seas. Last year he shipped on the Dora Belle, the fishing schooner in the Grand Banks," he explained, and without further hesitation he launched into the following descriptive narrative.

"He was a big fellow like me, and kind of awkward lookin' but real strong. Most of the men said he was greasy but that didn't make any difference to him, 'cause they wouldn't say it to his face. He was friendly but rough, an' he made no bones 'bout kickin' anybody out of his galley that he didn't like or that got in his way. Yes'r bossy as a new bos'n was Sam, in his galley, that is, and there wouldn't nobody dare him out nuther fer fear he'd come. He was cock o' the galley and king O' the lazaret.

"Sam cu'd spin a good, salty yarn, too, on occasion. O' those rare nights when the men didn't have no fish to work, he'd let 'em bring their net repairing 'round the galley-stove, and they'd have 'em a real good time. 'Long in the evenin', he'd haul some extry special grub out of his private lazaret, doughnuts, cookies, an' pie, an' that sort o' thing that he'd took a lot o' trouble to make. Sam could sure cook! And you may lay to that! He'd cook circles 'round these here chef lubbers. They might beat him at "A La Mud" but he'd sure leave 'em astern when it come to cookin' real grub. Well, after they'd told a lot o' good yarns an' Sam'd told one o' his specials, the boys'd tune up an' they'd shake the beams an' Sam'd shake everything from stem to stern with a roaring base solo. Sometimes I wonder that it didn't wake everybody in Davy Jones' Locker. Perty soon there'd be call for Sam to play his violin, an' he'd tuck it under his chin an' tune it up. An' 'fore you'd know it he could be off on a toe-tickling jig or maybe a polka or a waltz. He knew all the old favorites an' if you'd hum a tune he didn't know, he'd listen an' then play it just like he'd knowed it all his life. I bet Sam c'ud wring tears out of a stone-hearted old pirate with his violin, or if he chose, make 'im laugh for all that.

"But such fun-feasts weren't often pos­sible on a busy fishin' boat. Most of the

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    16 time everybody was busy an' so was Sam. But Sam always fixed it so he would have time every evening at sunset. He would climb up to the mast-head an'—Eh? Why sure he would, He'd run right up the rat­line as quick as the fastest. Well, as I was saying, Sam always liked the sunsets. Claimed they was the purtiest thing to be seen out there on the ocean. It was a relief from smellin', handlin', seein' an feelin' nuthin' but fish from dawn to dark. What's that? No, the men never thought of eat-in a fish; if one o' the men had asked for fish we would o' thought he was crazy. Guess we was sick o' seein' 'em. Anyhow I don't blame Sam for trying to get a little relief.

"One evenin' when we was all cleanin' fish by lantern light and throwin' 'em in the bin where others was stackin' 'em up, one of our new men, a tough young feller named Lafter, made a dirty jibe at Sam 'bout him climbin' up to look at the sun­sets. Well, Sam was never slow to anger and that made him boil. Quick as a flash Sam threw the fish he was cleanin' an' hit Lafter right in the face. Soon as he picked himself up he let go a fish, but Sam was ready an' ducked it an' then dared Lafter to come out on deck an' settle it with fists. Lafter, thinkin', I s'pose, that he c'ud win easy, jumped at the chance. When the men saw what was up they followed.

"The minute they got on deck, they was at it. Lafter put his head down an' charged in; Sam stood his ground swingin' with both fists. Lafter got hold on Sam an' they tumbled sprawling to the deck; Sam rolled over the top. For a moment it seemed like Sam had the best of it, but just then Lafter pulled a gun. Lettin' go his holds Sam grabbed at it, an' they tangled on the deck. Before the captain could separate them the gun accidentally exploded twice; Lafter sprawled limp; Sam got up. "The next day a sea-burial took place, an' when we put in port two weeks later, Sam packed up, collected his pay, and went ashore. Said he was quitting. Said he was old an' tired of the sea. He moved south an' bought himself a house near here, an' settled down on what he'd saved up. I reckon that's about all there is to tell." Knocking out his pipe on the wharf piling, the old sailor rose, stretched himself, and turned to go. By now I had recovered from the spell of his saga of the sea suffi­ciently to call out after him.

"Just a minute, sir, you haven't told me your name."

The old sailor paused, stared at me quizzically and replied, "Oh, my name; why my name is Sea-Cook Sam, of course." And turning on his heel, he strode away around the warehouse before I could catch my breath.

HUNTERS
 

Horns sound at the inn, and the dogs
Horses prance to the tune and begin to trot;

Hares and foxes flee to their nest and den;
Off are the men for another day's hunt.

MILES FALLS

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    17

Browse Among Books

AFTER ALL By  clarence day

In After All another group of delightful informal essays is presented to the public with that fascinating style that personifies Day's work. Good philosophy is there, but so intermingled is it with humor that one is never aware of being taught a lesson. In Day's scope of subjects any reader can find something of interest to him. He skips with great ease from how to make ' love to why hens set instead of sit. Be­cause of his extended illness, Day has been able to read a great deal and his parodies on many famous works would turn many an author in his grave. Hamlet scolds his mother for "marrying that dirty shyster". The story of Humpty Dumpty is shown to be the story of Adam and Genesis with their love-interest and other non-essential matter having been cut out by some hard-boiled city editor who wanted the writer to "stick to the theme". I think he catches the rea­son for George Bernard Shaw's lack of universal popularity when he says that Shaw would be loved if he were "humor­ous and wise" instead of "brilliant and witty". Although Day probably gave no thought to the matter, the words "humor­ous and wise" are a splendid description of all Day's work. Each essay should be enjoyed separately. This book will soon become the worn member on the shelf that the family reaches for most often.

deborah  robin


WHITE BANNERS By lloyd C. douglas White Banners undoubtedly is one of the most inspiring and idealistic novels of this age. The author, Lloyd C. Douglas, uses quite the same theme as is found in his preceding novels — that of sacrifice with no thought of reward.

The author sets the story in a small college town, and the strongest character, Hannah Bradford, is a maid-of-all-work in the family of one of the college's professors, Paul Ward.

Hannah lends to all the characters her magical theory of doing for others without their knowledge, while Hannah carries her own banner of sacrifice for her son. The weakness of Hannah's husband and the strength of character that Hannah possesses, present a sharp contrast. Thomas Brad­ford represents a rich young man who de­serts his young wife, Hannah. She places her child in a good home and goes to work in the kitchen.

Perhaps the reconciliation of Hannah and Thomas, supposedly in Asheville, is too much of an anti-climax, for the climax is reached when Hannah's son calls her "Mother" for the first time, and marries Sally Ward, the eldest daughter of the family to which Hannah had meant so much.

Few people who read this book will put it down without an inspiring feeling of higher ideals.
 

mary jett.

 


 

THE INQUISITOR By hugh walpole

The Inquisitor completes the famous cathedral series of Walpole novels. The theme is stately; the prose language is majestic; the characters are alive; the work is a modern classic. The cathedral town is a small world in which the struggle of the Seatown factor against the cathedral clique provides an intense drama.

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    18

People from almost all classes of society live in these pages. Some are almost saints and some are almost devils. Ampiron, the artist who had given up a prosperous career of painting, which he did well, to take up sculpture, which he did poorly, is intensely interesting — a character not easily forgotten. The gods conquer many charac­ters, but the love of Elizabeth Lurze, shy daughter of the miser, and the Reverend James Bird, a quiet man, domineered by his superior clergymen, carries them to higher ends.

Michael Lurze, a wanderer in many lands, comes to his brother's house in search of peace and a new life. He found a new life that was, however, the antithesis of a peaceful one. His brother, Stephen, the money-lending miser, who controls many of the prominent personages in the town through their indebtedness to him, also gains control of the happy-go-lucky brother. Of this seat novel Joseph Wood Krutch says: "Michael Lurze captures the attention from the moment he enters an antiquary's shop with his precious crucifix, and the at­tention never lathes throughout all the complicated events that follow" .... We have here an intensely readable story. deborah rubin.

 


 

STEAMBOAT ROUND THE BEND By ben lucien burman

One of the most unsatisfactory books of the season is Steamboat Round The Bend. Burman may know the life of the people along the Mississippi, but he does not have the knack o£ presenting it intelligibly. The book is very descriptive — descriptive to the point of insincerity. After the first fifty pages one discovers that the main charac­ters are white not negroid. Susceptible Captain John, frail, out-of-place Miss Rob­bie, simple Duke, and silly little Fleety Belle) act as a group of ten-year olds might, literally jumping from one juvenile ad­venture into another equally childish, building aircastles all the while, eating motto candy hearts, taking Little Flower Indian Remedies for anything from dandruff to 'flat-feet, and believing everything that any­body tells them. Burman has evidently never studied the china painting which Miss Robbie seems perpetually to do, or he would have found that gold, before firing, is brown in color, not gold. The only in­teresting things about the book are the humorous sketches by Alice Coddy which break the monotony of description.

The Greeks may have had a word for it, but so do I — lousy.

Jo jones.


JOURNEY TO THE END OF THE NIGHT

By louis-ferdinand celine

Journey to the End of the Night by Louis-Ferdinand Celine is probably one of the best sellers of the European novels and has been well received by the American readers.

It is a highly interesting, and at times shockingly realistic, novel of a young man who is hurled into the Great War, is wounded and sent to a hospital (of which his cowardly heart is secretely glad as it takes him away from the front), goes to Africa and betrays the trust placed in him by a colonial company, seeks refuge and peace in America, and disappointedly re­turns to his native France where he com­pletes his medical training and sets up practice in a poor section of Paris. The hero, Bardamu (the story is written in the first person) lays bare the secret coward­liness of men and also man's selfish desire to gain his own ends regardless of the cost to others.

Though the author, whose real name is Destouches, denies that the book is auto­biographical, it is certain that he went to war, to Africa, to America and finally re­turned to France and became a doctor in

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    19

a small hospital on the outskirts of Paris. Those who read Journey to the End of the Night will undoubtedly look forward to the author's second book which he expects to publish about 1938.


burton kinney.

GONE WITH THE WIND By margaret mitchell
 

Gone With The Wind richly deserves its popularity and title of best seller. In the opinion of many critics it is one of the best and certainly one of the most outstand­ing books written in modern times.

The story centers about the life and loves of a southern belle at the time of the Civil War. No doubt, Margaret Mitchell made a very careful study of this peroid of Ameri­can History, because she weaves the plot into this picturesque setting with an ac­curacy and skill that would please the most fastidious reader.

Scarlett O'Hara, the leading character, was only sixteen at the outbreak of the war; however, her life was in no small way affected by the battles. She was born in a small town near Atlanta, Georgia, where the entire story is set. Her search for hap­piness and her unsuccessful marriages are the center of the plot until the end. She was always striving for some thing out of her reach, and the ending is so very dif­ferent from the average love story that we are quite startled by the turn of events.

Melanie Wilkes, one of Scarlett's dearest friends and a relation by marriage, also portrays a type, and her influence on the life of the hero and heroine is most note­worthy. Sherman's march through Georgia is the climax of the story and all other historic references are equally authentic.

As so many reviews have said, "This is certainly one of the most readable books ever written." My only advice to those who start the book is: Don't commence it unless you have some time to read, because once you start, I'm sure you won't be able to stop.

An excellent setting and fine writing are combined to make a truly great book.

ida  rosen


 

SPOTLIGHT By clarnce  budington  kelland
 

This novel is the usual Kelland type of story. Outside of being a repetition of his usual plot, the story is lively, well-written, and altogether modern in style. It deals with the life of a wealthy and bored socialite, Nadia Horn, who wishes to have a career of her own. To satisfy this desire for personal fame, she launches a career as a night club entertainer. The various difficult situations she becomes involved in, and the manner in which she masters them makes up the action. With the aid of her gruff and adventuresome grandfather, she comes out on top, marries the hero, and is happy in the remembrance of her meteori-cal fame.

Of the numerous character studies in the novel, I think the most interesting is that of the night club manager, Pazzy Mayper. Although an uneducated and rather un­couth person, he lives up to the standards of a real gentleman, much better than some of his supposedly cultured patrons.

For a light, fast-moving novel done in the modern style, I would suggest Spotlight as very good.

wilma  dykeman

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    20

Doors

ROBERT STEELE

Although nothing is more common than doors, very few of us have ever stopped long enough to think of our indebtedness to them. Perhaps all that some of us can see in a door is the paneled wood and hinges, but if we were without doors to conceal and separate, lives would be lived differently, perhaps better, perhaps worse.

Just as an analysis of one's handwriting reveals his character so might one's technique of opening and closing a. door be studied. One's temperament, age and mo­tives in life may all be discovered in this habitual act.

The history of the world has been de­termined between doors. Can you sense what the door, leading to the room where the jury are debating, holds for the ac­cused? Perhaps at the hospital, across the street, when the doctor emerges from that white-walled room, we shall know whether that precious life is saved or lost. Tragedy is not all that is brought through doors, but joy, such as will be wrought when the blue and red uniformed girl appears at the bat­tered door, away down deep in the slums, or the joyous child return to his mother after a day at school, or the tired husband arrives from a strenuous day at the office

Whether one is rich or poor, great or small, his life is opened and closed along with the mere movement of a door.

SERENITY
Jo Jones

It had turned much warmer, but the skies were still a billowy grey. The log fire shrieked and crackled with wild, gnomic laughter. The slate-blue cat purred contentedly on the hearth rug. The window seat was deep and cushioned; the curtains were soft and filmy; the drapes were heavy and comforting; the window pane felt pleasantly cool to one's cheek. Outside it was so still one could almost intercept the messages of the wild. The trees were bare and grim, wrapping their limbs tightly about them to hide their shame. A squirrel scampered out on a limb, barked and ran back to his hole, frightened by his own precocity. Late birds fluttered unceremoniously about a feeder and then flew away in mallard formation. The puppy whined and scratched at the door. Someone opened it and he padded softly in, grunted, and sank to rest before the fire. Silence reigned again.

Suddenly it came—what the world had been expecting. The fairies shook their downy tresses and tumbled them down to earth—slowly at first, like a feather in a vacuum, then faster, faster till all that was ugly and sordid and unhappy was tucked beneath a blanket of priestly white.

God may be in heaven, I thought, but heaven cart be on earth. I

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    21

Clouds Part

DEBORAH RUBIN

"Good gosh! Does it have to rain all the time?" This was Jack Perry's chief thought as he looked out into the night. He was sick of the strong odor ofi oil and gasoline, sick of grease, greasy hands, greasy hair, greasy clothes. What made it worse was that his clothes were still wet from the thorough soaking they had re­ceived when he had run to work from the 6:45 bus. Greasy, wet, tired! Gloomily he tried to remember when he had not felt continually dead tired, but his memory could not span the time—thousands of years. It was after eleven, he thought, because the rush from the car-drivers going home late from work had long been over.

A horn sounded. * Jack started as though he had been shot. The strain of waiting for the result of his bar examination was beginning to tell on his nerves. Stepping out of the door, he met the fragile car as it drove up.

The dyed blonde in the car purred sar­castically, "You getting some gas, Tom, so you can go places?"

"Naw, I'm just getting one gallon," Tom Branner answered sulkily, "She's almost empty. You know I have to be at work early." Looking toward her anxiously he half pleaded, "Did you like the show Julia?" No answer. "Oh, no matter; I know. You need a limousine and a ritzy night club. Well, I'm not that curly-head­ed millionaire."

"Well, Joe Lanford does show a girl a good time."

Tom mused as he dug into his pocket and brought up the change. "Is that rijrht. Jack?" Eighteen from twenty-five left seven cents. Tom still had coffee money for the morning, and had he not been out with Julia!

"Right, thanks." Jack watched Tom drive recklessly off. Some day he and that car were going to fall apart. He could not understand why Tom wasted all his money chasing that Johnson girl. Tom was worth a thousand Julias. He was a fine fellow, but the dame would ruin him! Damn! The fire was most out. It was getting pretty cold now. He wondered that the rain hadn't turned to snow. If he couldn't make that fire go he never would get dry. How the minutes dragged. It hadn't been quite so bad when he had his studying to do. Now, though, it was too late to study.

As the next car drove up, the license plate caught his eye.   Hmm, this was the first time he had seen a car from Iowa. "Hey you, how much is gas?" "Regular is twenty cents a gallon, sir." "Harold, it was only seventeen cents at the last stop we made," said the middle-aged woman who was evidently the man's wife.

"That's   right.   Haven't   you   anything cheaper?"

"We  have  some  for eighteen cents  a gallon."

"Why shouldn't it be seventeen cents?" "Why not?    Indeed!"   said the woman with affected refinement.

"Sorry, ma'am, but its eighteen cents." "Well, give us two gallons and check the oil  and water.    These  filling station  at­tendants are all cheats," added the man to his wife.

"I already have, sir." J